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THE SAGA OF EVIL MONKEY MAN!

SEASON ONE

An entertaining, colorful adventure with a striking hero.

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In this debut graphic novel, a man-turned-monkey dodges authorities while searching for a way to reverse the lab experiment that transformed him.

A lab explosion rocks the quiet hamlet of Cold Spring Harbor on Long Island. Mike Ross crawls out of the rubble, quickly alarmed upon realizing he’s a giant monkey. He can still talk, but that doesn’t placate locals, who flee from his sight or attack him. Fortunately, Lina Chin, who runs a kung fu studio, sympathizes. She and Mike head back to the lab, where they find scientist Dr. Menke Moon, a fully conscious head in a jar, and his odd assistant, Manny. Moon explains that his “project” was transport; he intended for Mike to switch places with a baboon, not to form a hybrid. When Moon promises he can “fix” Mike, their small group travels east to locate several necessary items. Meanwhile, FBI agents investigate the explosion and, in little time, pursue the monkey man. Mike and the others try staying ahead of the agents, though the hardest part seems to be keeping him hidden, especially once media outlets pick up the story. Seals’ breezy novel, which collects his comic book series’ first four “episodes,” is madcap fun. The tale is primarily visual. A flashback, for example, shows Moon—before he was just a head in a jar—brandishing a syringe for a project “volunteer.” And feds are depicted unknowingly passing by their monkey fugitive more than once. Bizarre turns sometimes unfold with nary an explanation, as when Mike and his friends apparently time travel. But as this book is the first installment of a trilogy, readers will hopefully learn in later volumes such things as the purpose of Moon’s key items (for example, a golden helmet). Mapa’s artwork is pristine, right down to characters’ facial expressions, from Moon’s maniacal grins to Mike’s scowls. This novel also includes the story’s genesis, which Seals based on a friend’s song, and its original five-page one shot, illustrated by Angelo Ty “Bong” Dazo.

An entertaining, colorful adventure with a striking hero.

Pub Date: Sept. 25, 2020

ISBN: 978-1-73583-682-9

Page Count: 116

Publisher: Monarch Comics, LLC

Review Posted Online: Feb. 17, 2021

Kirkus Reviews Issue: April 15, 2021

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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