by Nadia L. Hohn ; illustrated by Eugenie Fernandes ‧ RELEASE DATE: Aug. 13, 2019
This joyful book celebrates the importance of language and taking it as your own, from early.
The beauty of Jamaican patois jumps off the page in this tale of one of its most acclaimed wielders, poet Louise Bennett Coverley.
As dressmaker’s daughter Louise becomes enamored with language, readers see the nascent poet even as the young girl deals with the conflicts of balancing what feels like two worlds. This struggle will be familiar to children who speak multiple languages. In school, Louise is taught standard English, as it is the official language of her country, Jamaica, but at home and on the streets of Kingston, she is wrapped in the more jovial and just as significant Jamaican Creole. The juxtaposition of the King’s English and Jamaican patois will make for an early, fun lesson in code-switching. “I must say I love the silhouette,” one of Louise’s mother’s customers says; “Naw, miss, de frock fit you nice,” Louise’s mother replies. Vibrant, playful, sunny-hued illustrations depict the people, places, animals, and food that are characteristic of Jamaica. English and patois ornamentally splashed on a couple of pages serve to give even more life to the story and will enable readers to get a glimpse of the world through young Louise’s eyes.
This joyful book celebrates the importance of language and taking it as your own, from early. (author’s note) (Picture book/biography. 4-8)Pub Date: Aug. 13, 2019
ISBN: 978-1-77147-350-7
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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by Nadia L. Hohn ; illustrated by Sahle Robinson
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edited by Nadia L. Hohn ; illustrated by Roza Nozari
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by Nadia L. Hohn ; illustrated by Irene Luxbacher
by Chelsea Clinton ; illustrated by Alexandra Boiger ‧ RELEASE DATE: May 30, 2017
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.
Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”
Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)Pub Date: May 30, 2017
ISBN: 978-1-5247-4172-3
Page Count: 32
Publisher: Philomel
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
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by Chelsea Clinton ; illustrated by Tania de Regil
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SEEN & HEARD
by Kamala Harris ; illustrated by Mechal Renee Roe ‧ RELEASE DATE: Jan. 8, 2019
Self-serving to be sure but also chock-full of worthy values and sentiments.
The junior senator from California introduces family and friends as everyday superheroes.
The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.
Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)Pub Date: Jan. 8, 2019
ISBN: 978-1-984837-49-3
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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