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THE LAST GIRL

MY STORY OF CAPTIVITY, AND MY FIGHT AGAINST THE ISLAMIC STATE

A devastating yet ultimately inspiring memoir that doubles as an urgent call to action.

A raw, terrifying account of religious genocide and life in captivity under the Islamic State by a young Yazidi woman who survived it.

Born and raised in Kocho, Iraq, Murad grew up hearing about the many genocides her people faced throughout history, but she never imagined she would witness one herself. She enjoyed a quiet childhood in her small farming village, surrounded by a large, loving extended family and the tightknit Yazidi community. But just outside the town limits, danger lingered as Daesh, otherwise known as the Islamic State, began to take control of northern Iraq. Murad was 21 years old when, in August 2014, IS militants laid siege to Kocho and irreparably changed the lives of everyone in the town. After their village leader announced that his people refused to convert to Islam despite threats of violence and death, Kocho's men were rounded up, shot, and buried in mass graves while their mothers, sisters, wives, daughters, and young sons watched from a schoolhouse window before being transported to an even grimmer fate. Older women, such as Murad's mother, were later murdered, young boys were forced into IS, and the girls and younger women like the author were sold into the IS slave trade, where they were subjected to a daily routine of servitude, violence, and rape. Held captive by a group of particularly brutal militants, Murad attempted to flee once before she was able to escape with the help of one remarkable family willing to risk their lives to save hers. With vivid detail and genuine, heartbreaking emotion, the author lays bare not only her unimaginable tragedy, but also the tragedies of an entire people whose plight is largely ignored by the rest of the world. Human rights lawyer and activist Amal Clooney provides the foreword.

A devastating yet ultimately inspiring memoir that doubles as an urgent call to action.

Pub Date: Nov. 7, 2017

ISBN: 978-1-5247-6043-4

Page Count: 320

Publisher: Tim Duggan Books/Crown

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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