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A RAMADAN NIGHT

Immersive text creates a touching and earnest tribute to a beloved Islamic tradition.

A Muslim child sets out to discover what makes Ramadan nights special.

Sami and Baba sit on the terrace in their Damascus home as the Islamic call to prayer reverberates. Baba exclaims, “It feels like a Ramadan night.” When young Sami doesn’t understand, Baba invites the little one to discover what he means. A rich journey ensues as the two make their way to the mosque for the special night prayer, Taraweeh. To Sami, Ramadan feels like glimmering golden lanterns on balconies, a breeze permeated with perfume, and tasty treats like kunafa and ice cream, eaten to break their fast. It’s the warmth and welcome of Sami’s Syrian community, diverse in skin tone and dress. Inspired by her own memories, Presley engages the senses with her work, conveying the aspects of Ramadan that delight and inspire awe not only for Sami, but also in Muslim communities around the world. Each repetition of Sami’s question—“What does a Ramadan night feel like?”—is an opportunity to examine everything from congregational prayer to charity and mindful fasting. Enayeh’s beautiful gouache illustrations are an invitation to linger on each page and take in Sami’s Damascus neighborhood, set against the backdrop of a velvety night sky bejeweled with twinkling stars and a crescent moon that follows father and child wherever they go.

Immersive text creates a touching and earnest tribute to a beloved Islamic tradition. (author’s note) (Picture book. 4-8)

Pub Date: Jan. 27, 2026

ISBN: 9781665969338

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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