Hard on the first English trade publication of any of the 1988 Nobel prize-winner's fiction (The Thief and the Dogs, Wedding Song, and The Beginning and the End—not reviewed) comes this first volume of his celebrated Cairo Trilogy, written in 1952 and originally published in Arabic in 1956. The complete trilogy takes the family of al-Sayyid Ahmad Abd al-Jawad from WW I to the 1952 overthrow of King Farouk. The opening of this first installment finds pious, licentious al-Sayyid Ahmad ruling his family with an iron hand: his wife Amina passively accepts his nightly absences without any idea how much more gregarious he can be than the tyrant she knows; his sons Yasin, Fahmy, and Kamal tremble in his presence and accept his orders without question even though they're aware of his sexual hypocrisy; his daughter Aisha forgoes a marriage proposal because her older sister Khadija hasn't been spoken for. But al-Sayyid Ahmad's authority is increasingly threatened—when he sends his wife away for making a forbidden trip outdoors in his absence, her sons send intermediaries to plead for her; Aisha is pressed to accept a second proposal; Yasin, bored with his arranged marriage, rapes his wife's servant; and Fahmy joins a nationalist group organizing against the British soldiers who lounge outside al-Sayyid Ahmed's house on Palace Walk—until finally he must accept the ultimate chastisement: one of his children is buried in a public ceremony, and not as his child. The leisurely pace of the long opening can be tough going, but Mahfouz gradually weaves his fractious family's history together with that of their troubled, splendid country with a mastery that recalls the Don saga of Mikhail Sholokov. The remaining volumes of the trilogy are due for publication on New Year's 1991 and 1992—reason enough for celebration.
Pub Date: Jan. 1, 1989
ISBN: 0385264666
Page Count: 510
Publisher: Doubleday
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: Jan. 1, 1989
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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