An intimate, immersive paean to the redemptive power of found families and the pleasure of choosing whom and how to love.
Two American women who meet in France when they’re 20 become lifelong friends.
Milly and Val are best friends—more like sisters, really. From the time Milly, who pretty much always gets what she wants, chooses Val—agreeable, academically driven, and the only other Black student on their study-abroad program—to travel with her when the program ends, the two have remained deeply connected, even during their relationship’s inevitable times of trouble. That connection is facilitated by Helene, a well-to-do American living in France who becomes a mother figure to both of them. Both Milly and Val are lacking for actual mothers: Milly because her devoted mother has died, and Val because her abusive mother has cruelly pushed her away. Coster’s book toggles back and forth in time and, 14 years after they met, Milly and Val are accomplished in their careers: Milly is a successful lifestyle influencer in New York and Val a North Carolina journalist with a book deal. Each is married—Milly to a nurturing, handsome, and wealthy restaurateur with a family pedigree, Val to a fresh-out-of-grad school anthropology lecturer who is clever and charming but also unreliable and self-indulgent. Both women, too, are pregnant. When Milly asks Val to come back to New York, where they had been roommates for several years, so they can raise their daughters side by side, Val eagerly agrees to move her growing family to Brooklyn. But will the women’s friendship—and the women themselves—be able to grow and evolve with their shifting circumstances, expectations, and geographic proximity? In this delicious page-turner, set in such alluring locales as Paris, Provence, and Park Slope, Coster brings us two fascinating, fallible, and sometimes frustrating characters who are learning to balance freedom and responsibility—to themselves and their families, both biological and chosen. Writing with sensitivity, candor, and insight, Coster compellingly tracks the ups and downs of longstanding friendship, motherhood and daughterhood, marriage, and career. We can’t help but root for these smart, accomplished women as they seek to square the demands of those around them with their own needs, desires, and dreams.
An intimate, immersive paean to the redemptive power of found families and the pleasure of choosing whom and how to love.Pub Date: Aug. 4, 2026
ISBN: 9780593833278
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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