An adventurous and relevant fantasy that strives for gold but settles, in the end, for silver.

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THE GILDED ONES

From the Gilded Ones series , Vol. 1

Sixteen-year-old Deka seeks acceptance and absolution.

Every year adolescent girls in the patriarchal kingdom of Otera prepare for the Ritual of Purity that determines whether they can join their communities as pure-blooded women or be cast out and branded impure monsters. Brown-skinned, gray-eyed Deka yearns to prove she belongs, but when her blood runs gold, she’s revealed to be an alaki—a near-immortal woman warrior—and is carted away to become the front line of defense for the people who’ve discarded her. With measured focus, debut author Forna creates a provocative world filled with fantastical creatures, centuries-old divine conflict, and overt feminist messaging around gender inequity and “purity.” Also compelling is Forna’s ability to capture feelings tugging on the consciences of many, telling them they are unworthy of life, liberty, and unconditional love because of who they are. The character development is a bit superficial, unfurling quickly with movie montage–like speed. There is celebration of diverse body types, some peripheral queer representation, and ethnic diversity that roughly correlates with the real world (e.g. a character called Li is from the East, and Northerners have pink skin and blond hair). The plot-twist climax is hinted at throughout the book, held just out of reach until the pieces fall neatly together. Unfortunately, the energy then peters out for the falling action and epilogue.

An adventurous and relevant fantasy that strives for gold but settles, in the end, for silver. (map) (Fantasy. 13-18)

Pub Date: Feb. 9, 2021

ISBN: 978-1-984848-69-7

Page Count: 432

Publisher: Delacorte

Review Posted Online: April 8, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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