by Nancy Agabian ‧ RELEASE DATE: May 9, 2023
Beautifully textured writing in a compelling tale that ponders identity and belonging.
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A bisexual Armenian American writer in the midst of an identity crisis visits her homeland in this explorative novel.
“I’m about to journey to Armenia, to live for a year among people who I resemble,” writes Natalee, a feminist author based in Greenpoint, Brooklyn. Following the fall of the Soviet Union, some of Na’s friends and family had journeyed to “the closest thing we had to a homeland” and returned remarking on the “emotional power” of the experience. In 2006, curious to do the same, Na boards a plane for Yerevan, wondering what the country will think of her. She is met with the troubles experienced by many travelers, such as not being able to figure out the code to call the United States. But she is disheartened to discover that she finds it difficult to assimilate to local life, struggles with the language, and begins to feel forlorn as an outsider. She is also aware that despite a new human rights bill protecting LGBTQ+ people, it is dangerous to be openly gay in Armenia. She discovers that “queer women were invisible.” Wrestling with loneliness, Na meets Seyran, a young, rebellious bisexual leader of a punk band, who shows her around Yerevan. They connect based on the fact that they appear to accept each other’s marginal identities, and Na agrees to marry Seyran so that he can avoid conscription. They return to New York City together, where Seyran’s attitude toward Na rapidly changes and she finds herself caught in an abusive relationship.
Written imaginatively as a series of fragmented narratives, journal entries, blog posts, and meta passages, Agabian’s novel describes Na’s journey from shifting perspectives. First-person accounts reveal Na’s intimate inner monologues as she wrestles with the importance of identity: “Part of the reason I’m here is to find what was lost in me. It’s upsetting to see that the West is already here…with its destructive, homogenizing effects of globalization.” Deeply thoughtful segments of meta-writing will stop readers in their tracks by boldly challenging preconceptions of identity and sexuality using penetrating questions: “How do you explain a gay man who loves his wife and has created a life around a family?” The narrative also comes with a provocative twist, as Seyran shifts from being the oppressed to the oppressor: “The assumption was that the immigrant was the one who was weak, dependent on others. The one vulnerable to beating and rape.” In a passage focusing on Na, the author eloquently and believably captures the thought processes of an abuse victim: “I’d already said no a couple of times, and he didn’t listen to me, he never stopped…chipping away at my resolve where he found my female indoctrination, my hesitancy to say no still ingrained at this late date.” Unfortunately, Agabian does not look often enough toward the Armenian landscape to describe it in great detail—but this matters little, as her attention is elsewhere. This is a courageously fragmented approach to storytelling that depicts a valiant search for self-understanding while challenging traditional gender roles, discrimination, and homophobia. Beautifully textured writing in a compelling tale that ponders identity and belonging.Pub Date: May 9, 2023
ISBN: 9798985969238
Page Count: 348
Publisher: Nauset Press
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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