An eloquent, emotional historical novel with a charged critique of society’s double standards.
In Bernhard’s novel, a high-class brothel owner in 1868 fights to save her establishment from New York City’s political machine.
This novel brims with the defining images of the Gilded Age, from the brazen corruption that passed for public affairs to the rampant inequality that limited opportunities for the great majority of people. Such barriers are familiar to Nell “Doc” Hastings, operator of the titular house catering to New York’s “richest, most discerning men.” It’s a cozy arrangement that’s built to last forever for the price of monthly payoffs to the Tammany Hall political machine. Nell can offer her girls protection from enslavement rings and a realistic path to independence, and she can provide well-connected players, such as city chamberlain Peter Sweeny, ways to indulge their wildest fantasies without tarnishing their glossy public façades. However, the appearance of Lavinia “Vivie” Curtis—a 15-year-old daughter of a lawmaker who was kidnapped from a party months ago and brought to the Double after suffering horrific abuses—threatens to upend this comfortable system. Nell uses all her hard-won medical experience to help Vivie recover physically and mentally. However, Nell must decide what to do about her presence there, amid threats from Tammany Hall, whose denizens want Nell to allow gambling, and enslavers like Vivie’s abuser, Vernon Trent, who vow to ramp up their practices. It’s an epic conflict, resulting in a novel that will pull readers into Nell’s struggles. It’s populated with well-drawn characters, including Nell's chief antagonists, Trent and ward boss Benno O’Connor; and newspaperman Asa Vanderpoel, with whom she must forge an uneasy alliance to expose the enslavers’ ways. Periodic flashbacks to Nell’s struggles with rape and other physical abuse, and her frustrations as she dreams of a medical career, help to round out the narrative. Overall, it’s a richly nuanced exploration of a society that championed the moral superiority of women yet refused to treat them as equals.
An eloquent, emotional historical novel with a charged critique of society’s double standards.Pub Date: Jan. 20, 2026
ISBN: 9798896360520
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Dec. 3, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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