Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into...
Coffelt masterfully weaves a lesson in words around a familiar "Little Red Hen" moral, making this one entertaining teaching tool.
Monkey needs help transporting his bananas home so he can make banana cream pie. But Ant is a new aunt anxious to see her niece, Bee has too much to do, with a honey shipment due, and Bear must wash the fir sap off his fur. Gnu, Ewe, Horse and Deer also find more pressing matters, and each leaves through the leaves without helping. Just when Monkey is about to do it all himself, Ant comes back to pitch in. They make the pies and share the tasty results. Predictably, the other animals want some pie, too, but Monkey only provides after they all help in the cleaning up. The five homonym pairs and 29 homophone combinations are bolded within the text, making them easy to spot. Coffelt keeps her textured oil pastel illustrations simple, so as not to detract from the wordplay, but what they may lack in detail they more than make up in rich, vibrant color and visual humor. Aunt Ant directs her little army from underneath a purple foreman's cap. Backmatter defines homophones and homonyms and addresses the regional pronunciations that can affect whether or not two words sound the same.
Fun on many levels, this has a sure spot in classrooms and storytimes as fable, grammar lesson and wordplay all rolled into one. (Picture book. 4-8)Pub Date: March 1, 2012
ISBN: 978-0-8234-2353-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
An imaginative and engaging look into artistic possibility.
Opposing art implements must learn to coexist in the same space and create together as one adds while the other subtracts.
Change is hard, especially for Pencil. The solitary graphite artist who “loved to draw” finds his worldview challenged when Eraser comes into the picture and uses negative space to complicate the drawings. Believing art can happen only when you add to the image, Pencil has a hard time playing well with others and accepting the notion that, sometimes, less is more. In contrast, ever gleeful Eraser sees potential and beauty in removing. When Pencil challenges Eraser to create art from his chaotic lines, Eraser deftly gives Pencil something he cannot resist: a maze. Eraser’s creativity opens Pencil to the possibility that, perhaps, there might be more to art than making lines on a paper. The two become fast friends as the potential for their creativity doubles when combining forces. Debut illustrator Blanco creates endearing endpapers that serve as mirrors to the story. Although this is a creative concept, it comes after Max Amato’s Perfect (2019), which covers similar conceptual territory. However, through Kilpatrick and Ramos’ text, Pencil and Eraser entangle in a deeper dialogue than Amato’s implements do, and further potential for disaster—or so Pencil would think—is humorously foreshadowed by more art utensils coming into the picture.
An imaginative and engaging look into artistic possibility. (Picture book. 4-8)Pub Date: May 28, 2019
ISBN: 978-1-250-30939-6
Page Count: 40
Publisher: Imprint
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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Summertime fun.
Summer vacation is the stuff children’s dreams are made of.
This collection of verse begins with that first day a child can sleep in instead of being woken up for school by the alarm clock (“BEEP-BEEP-SNOOZE”) and ends with the first day back at school. In between, full-color cartoon illustrations and short, upbeat poems, usually one per page, explore how children in diverse communities spend their summers. They line up on the sidewalk after hearing “the jingle jangle of the ice-cream truck!” They cool off by playing on a backyard slip 'n slide or by visiting the neighborhood pool, the lake, or the beach (where a child builds a sand castle only to see it washed away and another listens to a seashell). Summer also means a family road trip with all-too-frequent rest stops and a motel stay with treats like a giant TV, “teensy soaps and teensy shampoo / and beds made for bouncing.” A trip to an amusement park is captured in a creative shape poem about the thrills of a log ride and playful font changes that emphasize the ever changing perspective found on a Ferris wheel. Summer also includes going to camp as well as camping out in the backyard and enjoying s’mores and an astronomy lesson from Grandpa. As in the creators’ other Here I Come! books, the verse is peppy, with details sure to get kids jazzed, brought to life by the exuberant cartoon art. (This book was reviewed digitally.)
Summertime fun. (Picture book/poetry. 4-8)Pub Date: April 25, 2023
ISBN: 978-0-593-38721-4
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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