A succinct, positive look at the great benefits, both historically and currently, of embracing immigration.
An account of how the 1965 Hart-Celler Act, in broadening immigration beyond European quotas, transformed the racial makeup, economy, and politics of the U.S.
The elimination of origin quotas put in place since the 1920s, which had favored European immigrants, paved the way for a great surge of new immigration from Asia, Latin America, and, to a lesser extent, Africa and the Middle East. The change in numbers, as Foner clearly explains, was enormous. In 1960, for example, 75% of foreign-born residents came from Europe; by 2018, those born in Latin America and the Caribbean went from 9% to 50%, Asians from 4% to 28%, and sub-Saharan Africans from 1% to 5%. The astonishing racial shift has affected all aspects of American life (Whites comprised only 60% of the population by 2018). Foner—a professor of sociology and author of One Out of Three: Immigrant New York in the Twenty-First Century, among other books—makes a convincing argument, as other scholars have in recent years, that these changes have been positive and significant for the U.S. as a nation, countering uglier, speculative narratives about the detriments of immigration. Neighborhoods across America have shifted hugely, from all-Black (Caribbean and African) sections of Brooklyn to all-Asian sections of Los Angeles and other cities in California and elsewhere. The author closely examines the economic benefits in immigrant work, filling both the top and bottom of the occupational ladder, from innovative new companies to the caretakers and farm workers, all necessary for the functioning of the American economy. In scholarly but accessible prose, Foner also explores this huge cultural shift in terms of TV, movies, literature, and other elements of arts and culture. This book will be a good fit for libraries and school collections in order to refute erroneous and racist arguments regarding immigration.
A succinct, positive look at the great benefits, both historically and currently, of embracing immigration.Pub Date: Jan. 11, 2022
ISBN: 978-0-691-20639-4
Page Count: 232
Publisher: Princeton Univ.
Review Posted Online: Nov. 5, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
This guide to Black culture for White people is accessible but rarely easy.
A former NFL player casts his gimlet eye on American race relations.
In his first book, Acho, an analyst for Fox Sports who grew up in Dallas as the son of Nigerian immigrants, addresses White readers who have sent him questions about Black history and culture. “My childhood,” he writes, “was one big study abroad in white culture—followed by studying abroad in black culture during college and then during my years in the NFL, which I spent on teams with 80-90 percent black players, each of whom had his own experience of being a person of color in America. Now, I’m fluent in both cultures: black and white.” While the author avoids condescending to readers who already acknowledge their White privilege or understand why it’s unacceptable to use the N-word, he’s also attuned to the sensitive nature of the topic. As such, he has created “a place where questions you may have been afraid to ask get answered.” Acho has a deft touch and a historian’s knack for marshaling facts. He packs a lot into his concise narrative, from an incisive historical breakdown of American racial unrest and violence to the ways of cultural appropriation: Your friend respecting and appreciating Black arts and culture? OK. Kim Kardashian showing off her braids and attributing her sense of style to Bo Derek? Not so much. Within larger chapters, the text, which originated with the author’s online video series with the same title, is neatly organized under helpful headings: “Let’s rewind,” “Let’s get uncomfortable,” “Talk it, walk it.” Acho can be funny, but that’s not his goal—nor is he pedaling gotcha zingers or pleas for headlines. The author delivers exactly what he promises in the title, tackling difficult topics with the depth of an engaged cultural thinker and the style of an experienced wordsmith. Throughout, Acho is a friendly guide, seeking to sow understanding even if it means risking just a little discord.
This guide to Black culture for White people is accessible but rarely easy.Pub Date: Nov. 10, 2020
ISBN: 978-1-250-80046-6
Page Count: 256
Publisher: Flatiron Books
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Disjointed in spots but thoughtful and often inspirational.
An acclaimed actor “taught not to make scenes” as a young girl explores how “scenes” from her life have made her into the woman she became.
In her first book, Wu, best known for her roles in the TV show Fresh Off the Boat and the film Crazy Rich Asians, reflects on the experiences that transformed her from a shy girl into a self-confident performer able to create meaningful, stereotype-defying characters. The American-born daughter of Taiwanese immigrants, Wu, who dreamed of a professional acting career, assimilated well into the conservative White Virginia suburb where she grew up. Yet the Asian actors she saw often made her want to cringe for the way they brought attention to the “Asian-ness” Wu could not entirely accept in herself. It wasn’t until she began studying drama in college that the author began to dig within herself to find what could truly make her characters come alive. In her personal life, Wu deepened her emotional maturity with lessons in love while also experiencing the turmoil caused by a traumatic sexual experience. “I didn’t feel attacked or assaulted or coerced and I certainly didn’t feel raped,” she writes. “Strange as it sounds, the word ‘rape’ didn’t even occur to me.” After moving to California for her acting career, she began to educate herself on rape culture. Her awakening, however, could not protect her from Hollywood anti-feminism or her own desire to be a “cool girl” who could brush off casual misogyny. As she gained professional visibility and acclaim, Wu found herself at the mercy of an Asian American producer who intimidated and sexually harassed her. The essays—parts of which she cleverly imagines as stage scenes—are intimate and rich in emotional detail. However, the time shifts and occasional lack of thematic connection sometimes limit the impact of the author’s message.
Disjointed in spots but thoughtful and often inspirational.Pub Date: Oct. 4, 2022
ISBN: 978-1-982188-54-2
Page Count: 336
Publisher: Scribner
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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