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PROMISE ME

HOW A SISTER'S LOVE LAUNCHED THE GLOBAL MOVEMENT TO END BREAST CANCER

A touching, inspiring look behind the scenes at the founding of one of the most famous nonprofit organizations in the world.

A powerful memoir by the founder of Susan G. Komen for the Cure, assisted by co-author Rodgers (The Secret Sisters, 2006, etc.).

Raised in Illinois by hardworking, charity-minded parents, the Goodman sisters, Suzy and Nancy, remained extremely close until Suzy died of breast cancer in 1980. Before she died, Suzy made her sister Nancy promise that she help change the national dialogue about breast cancer, at that time a disease still commonly referred to as “women’s cancer.” In 1982, Brinker began Susan G. Komen for the Cure, which has raised more than a billion dollars for breast-cancer research and spawned a worldwide pink-ribbon phenomenon. Here the author tells the story of how and why this foundation came about. The Goodman sisters learned at an early age the importance of helping those in need. Charity became a common theme in their lives, but unfortunately, so did breast cancer. Their aunt’s radical mastectomy wasn’t discussed openly, but it struck a chord with both girls, which vibrated through the rest of their lives. Sadly, at age 37 Susan’s was ended by that disease, while Nancy ultimately survived it. These stories of joy, fear, love and heartache are told in a captivating voice that brings a highly personal dimension to the foundation and to the subject of breast cancer in general. Interspersed throughout are chapters providing background and perspective on the disease, giving insight into early breast-cancer treatments and revealing countless personal stories of numerous famous and not-so-famous women. Brinker maintains a strong position for cooperation across the political spectrum and for a woman’s right to choose her own course of treatment.

A touching, inspiring look behind the scenes at the founding of one of the most famous nonprofit organizations in the world.

Pub Date: Sept. 14, 2010

ISBN: 978-0-307-71812-9

Page Count: 368

Publisher: Broadway

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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