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MY JIM

Intensely sad but not mawkish: a very fine love story, wonderfully narrated with a perfect feel for the time and place.

A tale of slave life in the Old South imagines the hidden life of Huck Finn’s sidekick, the runaway slave Jim.

It’s always risky to build a narrative around someone else’s characters, but second-novelist Rawles (Crawfish Dreams, 2003) handles Twain’s creations so deftly that it would be hard to imagine him objecting. Her narrator is one Sadie Watkins, an elderly sharecropper who was born a slave in Missouri. Growing up on the Watson plantation, Sadie met and fell in love with one of the field hands, a big, dapper slave named Jim. As masters go, Watson is better than most, but he’s still a long way from what anyone would call kindly. He doesn’t think twice about selling Jim downriver to raise some cash when his crops do badly, despite the fact that Jim and Sadie are married and have two children. Jim is a gentle soul not given to rebellion, but he runs away to make his own fate, promising Sadie that he’ll come back to her and the children when he can buy their freedom. Jim’s story we already know, of course, since he hooked up with a boy named Huck Finn and rafted his way up the Mississippi. But Sadie’s history is just as engaging, if rather less adventurous. Passed along like a poker chip from master to master, Sadie lives through the Civil War, gains her freedom, becomes a refugee, and makes and re-makes several lives for herself down the years. She and Jim are reunited and parted several times, but there are few happy endings for blacks (whether slave or free) in the 19th century. Her hopes eventually center upon her niece Marianne, born a freewoman, who as part of the new generation has the chance of a decent life.

Intensely sad but not mawkish: a very fine love story, wonderfully narrated with a perfect feel for the time and place.

Pub Date: Jan. 11, 2005

ISBN: 1-4000-5400-1

Page Count: 176

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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