Money corrupts, but love prevails, making it easy to overlook the flaws in this friendship.
Thayer (Island Girls, 2013, etc.) returns to the sunny shores of Nantucket, where two friends from different backgrounds share childhood memories and the same man.
Thayer describes the idyllic shores of Nantucket with cheerful prose: “the sun, fat and buttery as one a child would draw in school,” shines on a sea that “winks blue and turquoise” on the beaches where Emily and Maggie meet every summer to play. Their love for the island may be all the two girls have in common. Emily’s mother, a wealthy New Yorker, wants nothing to do with the islanders—including Maggie, whose mother is a poor seamstress. Though Emily’s mother disappears too often to cause any real friction between the girls, Emily and Maggie realistically grow apart as they go to college, start careers and meet boys. Emily’s romance with Maggie’s brother, Ben, seems doomed when he asks her to downgrade her lifestyle to match his just as rich Cameron Chadwick asks her out on a date. When Emily finds out she’s pregnant, she’s not sure if the baby belongs to Cameron or Ben, but she rolls the dice and tells Cameron it’s his after Ben refuses to answer his phone. It’s debatable whether Emily is acting in the best interest of her child or avoiding responsibility, but her internal struggle is compelling as she tries to keep her unhappy marriage together. Emily might have made a different choice had she known that Cameron impregnated Maggie after a one-night stand. In a maddening twist, Maggie decides not to tell Emily that Cameron fathered her child. We'll never know if Emily would be enraged or pleased that her daughter and Maggie’s might be half sisters. Still, their reunion is sweet when an unexpected tragedy brings Emily back to the island.
Money corrupts, but love prevails, making it easy to overlook the flaws in this friendship.Pub Date: June 17, 2014
ISBN: 978-0-345-54548-0
Page Count: 320
Publisher: Ballantine
Review Posted Online: May 21, 2014
Kirkus Reviews Issue: June 1, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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