MR. AND MRS. GOD IN THE CREATION KITCHEN

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MR. AND MRS. GOD IN THE CREATION KITCHEN

Name: MR. AND MRS. GOD IN THE CREATION KITCHEN
Author: Nancy Wood
ISBN: 0-7636-1258-8

by Nancy Wood & illustrated by Timothy Basil Ering ‧ RELEASE DATE: April 1, 2006

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Another folksy take on the Biblical creation story from the publishers of Phyllis Root’s Big Momma Makes the World (2003, illustrated by Helen Oxenbury). Here, Wood casts Mr. and Mrs. God as cooks with clashing styles; having made a massive sun, Mr. God enthusiastically assembles roaring monsters to populate Mrs. God’s cool, smaller Earth. “They’re hideous,” she complains. “What were you thinking?” Mr. God obligingly blasts them out of existence, but then miffs Mrs. God again by creating a pelican (“Look at that beak!”) that scoops up her colorful, just-decanted rainbow of fish. Opening with an empyrean kitchen full of pots bobbing around an oven “big enough to roast a star,” and closing with two bare, decidedly Neanderthal-ish people rising up from a cookie sheet, Ering’s full-bleed, broadly brushed scenes feature a pair of gnomish elders floating in space amidst kitchenware and bowls of animal parts. Not exactly canonical, but a lighthearted way to get young readers thinking about creation through collaborative effort. (Picture book. 7-9)

Pub Date: April 1, 2006

ISBN: 0-7636-1258-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

Categories:

CHILDREN'S RELIGIOUS FICTION | CHILDREN'S SCIENCE & TECHNOLOGY

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HOW THE TINY PEOPLE GREW TALL
by Nancy Wood & illustrated by Rebecca Walsh

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OLD COYOTE
by Nancy Wood & illustrated by Max Grafe

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SACRED FIRE
by Nancy Wood & illustrated by Frank Howell

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ADA LACE, ON THE CASE

From the Ada Lace series , Vol. 1

by Emily Calandrelli & Tamson Weston ; illustrated by Renée Kurilla ‧ RELEASE DATE: Aug. 29, 2017

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...

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Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.

Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)

Pub Date: Aug. 29, 2017

ISBN: 978-1-4814-8599-9

Page Count: 128

Publisher: Simon & Schuster

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: June 15, 2017

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ADA LACE SEES RED
by Emily Calandrelli with Tamson Weston ; illustrated by Renée Kurilla

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MONSTER MATH

by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999

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Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)