A refreshingly wry and insightful debut.
A young millennial finds herself in a love triangle with a man and woman.
In Irish author Dolan's debut novel, 22-year-old narrator Ava relocates from Dublin to Hong Kong to teach grammar at a school for English-language learners. Noting that the school hires only white people, she remarks: “Like sharks’ teeth, teachers dropped out and were replaced.” From the jump, Ava approaches the world with cleareyed humor. In her first months as an expat, she meets Julian—a 28-year-old English banker—who seems aloof about everything except his job. As they fall into a quasi-relationship, Ava moves into his apartment, where Julian allows her to live rent-free. When Julian leaves for London on an extended work project, Ava meets Edith, a Hong Kong local and ambitious lawyer. With Ava still living in Julian’s apartment, she and Edith fall into a quick friendship that evolves into a relationship. Telling neither the full truth about the other, Ava finds herself falling in love with Edith. During an evening stroll, she thinks: “I didn't need to know how other women went about being together. I could see it forever, for us: walking through cities, laughing at things that weren’t that funny.” When Julian tells her he’s returning to Hong Kong, she must navigate the precarious situation she’s inadvertently created. Ava—who has struggled throughout the novel to be vulnerable in often maddening ways—must make a decision: live comfortably or live truthfully. Politics, class, and race anxiously hover over the entire novel. After confiding that she called her college savings account her “abortion fund,” she says: “I knew some women who saved with their friends, and they all helped whoever was unlucky. But I didn’t trust anyone....The richer I got, the harder it would be for anyone to force me to do anything.” Dolan’s preoccupation with power is often couched in humor but always expertly observed. Her elegantly simple writing allows her ideas and musings to shine.
A refreshingly wry and insightful debut.Pub Date: June 2, 2020
ISBN: 978-0-06-296874-6
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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