A refreshingly wry and insightful debut.
A young millennial finds herself in a love triangle with a man and woman.
In Irish author Dolan's debut novel, 22-year-old narrator Ava relocates from Dublin to Hong Kong to teach grammar at a school for English-language learners. Noting that the school hires only white people, she remarks: “Like sharks’ teeth, teachers dropped out and were replaced.” From the jump, Ava approaches the world with cleareyed humor. In her first months as an expat, she meets Julian—a 28-year-old English banker—who seems aloof about everything except his job. As they fall into a quasi-relationship, Ava moves into his apartment, where Julian allows her to live rent-free. When Julian leaves for London on an extended work project, Ava meets Edith, a Hong Kong local and ambitious lawyer. With Ava still living in Julian’s apartment, she and Edith fall into a quick friendship that evolves into a relationship. Telling neither the full truth about the other, Ava finds herself falling in love with Edith. During an evening stroll, she thinks: “I didn't need to know how other women went about being together. I could see it forever, for us: walking through cities, laughing at things that weren’t that funny.” When Julian tells her he’s returning to Hong Kong, she must navigate the precarious situation she’s inadvertently created. Ava—who has struggled throughout the novel to be vulnerable in often maddening ways—must make a decision: live comfortably or live truthfully. Politics, class, and race anxiously hover over the entire novel. After confiding that she called her college savings account her “abortion fund,” she says: “I knew some women who saved with their friends, and they all helped whoever was unlucky. But I didn’t trust anyone....The richer I got, the harder it would be for anyone to force me to do anything.” Dolan’s preoccupation with power is often couched in humor but always expertly observed. Her elegantly simple writing allows her ideas and musings to shine.
A refreshingly wry and insightful debut.Pub Date: June 2, 2020
ISBN: 978-0-06-296874-6
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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