This charming book shows how indebted the world is to Ingram for his work in creating “a shared treasure—the cherry...
The story of the connection that linked one man, one flower, and two countries.
Lovers of the outdoors, especially gardeners, will find much to enjoy in Japanese journalist Abe’s first English-language book, which won the Nihon Essayist Club Award in 2016. The author engagingly chronicles the travels and plant-collecting adventures of Collingwood Ingram (1880-1981). The Englishman, born to wealth in Victorian times, spent his sickly youth wandering the countryside, where he developed a passion for birds. In 1902, he traveled to Japan to see the birds there, which were similar to England’s, and was swept up by the beauty of the country; the young man vowed to return. After World War I, he gradually lost interest in ornithology but began an obsession with horticulture, spurred by his family’s move to Kent in 1919. On the property, he found two magnificent flowering Japanese cherry trees, leading him to a long life of discovering, preserving, breeding, grafting, and sharing rare varieties. Interspersed throughout the book are pieces of Japan’s history over the last 2,000 years, and Abe provides sufficient detail to edify but never to bore. The author clearly shows the national importance of the cherry tree and how its perception changed with Westernization. Abe’s statement that Japan is and was the world’s most artistic nation is exemplified by the 250 varieties of cherry tree developed during that era. In the 1920s, as Japan nationalized and modernized, the importance of reviving failing cherry trees was forgotten; there was no money, urgency, or political will to save them. Thanks to the enterprising work of Ingram, however, “they bloomed around the world, in arboretums and parks, along city streets and riverbanks and in millions of suburban gardens.” Indeed, writes the author, “Ingram had helped to change the face of spring.”
This charming book shows how indebted the world is to Ingram for his work in creating “a shared treasure—the cherry blossom—for all to enjoy.”Pub Date: March 19, 2019
ISBN: 978-1-5247-3357-5
Page Count: 400
Publisher: Knopf
Review Posted Online: Jan. 28, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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