by Naomi Epel ‧ RELEASE DATE: June 15, 1993
It's well known that Coleridge dreamed, word-for-word, his great poem ``Kublai Khan''—but not that William Styron wrote the opening paragraphs of Sophie's Choice after dreaming of a woman with tattooed numbers on her arm, or that Stephen King based the horrific Marston House of Salem's Lot on a dream he had as an eight-year-old. Here, Epel (host of a Berkeley-based radio show) presents commentary from 26 writers on how dreams have influenced their work and their lives. Though the commentary derives from interviews, Epel has edited out her questions and sewn the answers into smooth-flowing essays from the likes of Maya Angelou, Clive Barker, Elmore Leonard, Gloria Naylor, Reynolds Price, Anne Rice, Robert Stone, and Amy Tan—a remarkable number of whom keep close track (often in dream-journals) of the dreams from which they draw literary ideas or at least inspiration: John Barth says that once every four years or so, he enjoys a ``Charles-Dickens-scale dream,'' one ``with lots of complications and even subplots.'' And it's interesting to note that, perhaps in keeping with the intimacy of the dreaming that influences them, a number of these authors disavow word processors in favor of more intimate writing tools: Elmore Leonard writes in longhand and then transcribes using an Olympia manual typewriter, while Spalding Gray corrects his longhand again in longhand, with a red-ink pen. Full of surprising insights, these interview/essays make a genuine contribution to our understanding of the writing process. (Twenty-six b&w photos—not seen)
Pub Date: June 15, 1993
ISBN: 0-517-58982-6
Page Count: 304
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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