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LANDFALLS

Literary art of the first order, intelligent and evocative in the way of the best of historical fiction.

Williams makes an entertainingly erudite debut with a prismatic reimagining of the doomed French attempt to circumnavigate the globe in the 1780s.

With their "scientific mission paramount, no reasonable expense to be spared," captains Jean-Francois de Galaup de Lapérouse and Paul-Antoine-Marie Fleuriot, Viscount de Langle, set sail in 1785 aboard the Boussole and the Astrolabe. As the "savants" onboard—geologists, physicists, botanists—prepare to study the exotic, Williams’ narrative focuses on the human. Especially poignant is her illustration of how native cultures are poorly interpreted by European explorers celebrating the virtues of Enlightenment. From overweening functionaries and pretentious colonialists, captains and savants are soon forced to decipher personalities and politics. First at Concepción in Chile, where Governor General Ambrosio O’Higgins seeks peace with the Arauca; then Alaska, where they're perceived as "Snow Men…in winged war canoes" by bemused Alaska Natives; next Monterey in Alta, California, that visit rendered from the points of view of the governor’s wife, mission priests, and others; next Macao, opium and disobedience; followed by Petropavlovsk in far eastern Russia. There, translator Barthélemy de Lesseps leaves to carry expedition reports to Paris across frozen Siberia by way of St. Petersburg. Finally, in the Navigator Islands, the captains face massacre and then shipwreck. Page upon page reveal characters like the scientist Lamanon, "a genius, he has no time for manners," unmourned after being killed by rock-pelting South Sea islanders; and the conscientious Capt. Lapérouse, whose cabin is decorated with busts of Rousseau and Capt. Cook. Amid the seesawing boredom and terror of days at sea, William crafts an elegant and entrancing narrative to match her dissection of the landfalls. A moving epilogue concludes the narrative with de Lesseps identifying wreckage discovered on Vanikoro, knowing that "the globe we had tried so hard to complete [had swallowed] us whole."

Literary art of the first order, intelligent and evocative in the way of the best of historical fiction.

Pub Date: Aug. 4, 2015

ISBN: 978-0-374-18315-8

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2015

Kirkus Reviews Issue: June 1, 2015

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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