A high-concept adventure that doesn't think its readers are clever enough to get it.
After graduating from her monster-infested high school, a young witch determined to overcome her inclinations toward dark magic finds that she alone can stave off wizarding society's collapse.
After spending the last four years of her life locked up in the Scholomance—a school carved from interstitial space where mages' children go to hone their craft—Galadriel "El" Higgins returns to the real world heartbroken. Following their run through a gauntlet of monsters in a grisly graduation rite, her fake boyfriend–turned–true love, Orion, shoved her through the Scholomance's magical exit and did not follow. Fearing that Orion has been eaten by a maw-mouth—a creature that hopelessly traps its victims in a painful, never-ending dying process—El sets out to end his suffering forever. Getting back into the fallen Scholomance requires a huge supply of mana, as does killing a maw-mouth, and so El must first journey to the world's most powerful wizard enclaves in search of allies. This globe-trotting adventure quickly turns into a slog, however, as triumphs and tribulations flatten under the weight of exposition and poor pacing. Much of Novik's attention here feels severely misplaced. Rare moments of tension resolve too quickly for readers to feel their impacts, and the novel founders as El continues the infodumping habit previously seen in A Deadly Education (2020) and The Last Graduate (2021), sucking the narrative pacing dry with long-winded explanations that touch on everything from other characters' motives to her own powers. We learn a lot about one interesting character only to have her promptly disappear from the story for good. El's two sexual encounters with a female frenemy serve no purpose in developing either the characters' individual stories or the narrative as a whole. An enemy El assures us is "an evil monster" earns her redemption with little to no explanation, and everything readers already know—from the way El memorized her friends' phone numbers to the purpose and value of mana—is bound to be reiterated again and again.
A high-concept adventure that doesn't think its readers are clever enough to get it.Pub Date: Sept. 27, 2022
ISBN: 978-0-593-15835-7
Page Count: 432
Publisher: Del Rey
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Surprisingly hopeful at the last, but despite careful worldbuilding and tense plotting, the book barely escapes being a slog.
In the conclusion to a trilogy that began with The Justice of Kings (2022) and The Tyranny of Faith (2023), Justice Sir Konrad Vonvalt and his clerk, Helena Sedanka, prepare for a final confrontation with the zealot Bartholomew Claver.
Declared traitors to the Sovan Empire, Sir Konrad and Helena (our narrator) are both on the run and in search of an army to destroy Claver, who is bent on Imperial rule; the demonic entity who grants him dark magicks has more ambitious designs on the entire mortal plane. Somehow, Helena is the key to halting these wider plans, which marks her out for special attention from demonic and angelic beings. Meanwhile, Sir Konrad, whom Helena had previously revered (and loved) as a paragon of the law, does more and more legally and ethically dubious things to save his Empire from Claver, Claver’s fanatic followers, and his demonic allies/puppeteers, including deposing the Emperor and taking up forbidden magicks. How many principles will these two have to compromise to defeat this overwhelming evil? It's interesting to see how this trilogy, while consistently maintaining a grimdark tone, has slowly shifted subgenres over the three volumes. The first book was primarily a fantasy mystery, the second a political fantasy, and the third more of an epic fantasy featuring an ultimate battle between the forces of good and evil. Overall, the series is an intriguing chronicle of one woman’s struggle to develop agency, despite the overpowering influence of her mentor’s strong personality, vast political and religious currents, and, ultimately, gods and demons from other planes of existence. We know that Helena survives these (mis)adventures, since she narrates the entire saga as an old woman looking back; the unrelenting onslaught of terrible things that happen to her before the thankfully cathartic climax may either grind the reader down or cause the reader to disengage from her plight(s), aware that despite her many, many brushes with death and multiple turning points where she believes she chose poorly, she will ultimately prevail.
Surprisingly hopeful at the last, but despite careful worldbuilding and tense plotting, the book barely escapes being a slog.Pub Date: Feb. 6, 2024
ISBN: 9780316361989
Page Count: 496
Publisher: Orbit
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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