Of the complexities embraced in this intergenerational drama, some are harsh and difficult to relate to, while others are...
Ragen (The Tenth Song, 2010, etc.) sensitively explores the repercussions in an ultra-Orthodox Jewish family when one of its members leaves the fold.
It’s the early 1960s, and though Rose Weiss has seen Marilyn Monroe on the cover of forbidden magazines, she and her younger sister, Pearl, live in the strict world of the ultra-Orthodox in Williamsburg, Brooklyn, where knees and elbows must be covered and where each of them can expect to be married off by the age of 16. Though unable, at first, to articulate it to herself, teenage Rose comes to understand that this is not the life for her. Her self-discovery unfurls alongside a passion for photography but results in a series of heart-wrenching events, which culminate in total estrangement from her family. Rose’s story picks back up 40 years later in a circuitous way, when her college-student daughter, Hannah, is contacted by Pearl’s teenage daughter, Rivka. By now, Rose is a successful and famous photographer, and Rivka, raised ultra-Orthodox, is hellbent on following in her secular footsteps, not knowing that Rose’s pain from being alienated from her roots has never subsided. Where the first section of the novel is a simple story, told in deeply felt detail, the second section explodes in turmoil. Runaway Rivka is like a pinball in New York City, ricocheting impulsively from thorny Hannah’s apartment to Rose’s sanctuarylike dwelling, sowing drama along the way. Without the self-knowledge and direction that Rose had at her age, Rivka is less sympathetic, but her combination of ego and innocence seems fitting for 2007, when her story is set, and her future is every bit as vertiginous. Ragen uses Hannah’s role as a scholar of women’s history to remind readers that Rivka’s quest for freedom is as necessary and important as the plight of any subjugated woman in history, but the effect is didactic. Rose and Rivka are more convincing when they speak for themselves.
Of the complexities embraced in this intergenerational drama, some are harsh and difficult to relate to, while others are universal. The book is unflinching and surprisingly suspenseful.Pub Date: Oct. 15, 2013
ISBN: 978-0-312-57019-4
Page Count: 336
Publisher: St. Martin's
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Fans of Christian romance will delight in this tale of salvation through love.
A highly sought-after artist by day and clandestine graffiti prankster by night, Roman Velasco has shut his heart—until Grace Moore shows up on his doorstep.
Grace has overcome too much in her life: she has survived her parents’ violent deaths; she has given up her own studies to support her husband through college only to find him cheating on her in their own house; and she has transcended the shock of an unplanned pregnancy. Through it all, Jesus has stood by her, even appearing as an angel to comfort her when she was a grieving 7-year-old trying to find a way to endure. Recently, she has found a home for herself and her 5-month-old son, Samuel, but living with the Garcias, who had hoped to adopt Samuel, is difficult, especially since Selah consistently pushes Grace away, casting herself as the boy’s constant maternal presence. So when Grace accepts a job as the temperamental Roman’s personal assistant, complete with a cottage to herself —a cottage where she can start to separate from Selah and her family, where she can build a life for herself and Samuel —it's a dream come true. Roman’s rough language and atheism, however, trouble Grace, just as Grace's spirituality and privacy trouble Roman. After all, he's used to easy women and commitment-free interludes. Christian novelist Rivers (Earth Psalms, 2016, etc.) deftly threads Roman’s and Grace’s lives together as they tiptoe around their emotional scars, eventually shifting into a dance of tentative steps toward a love neither can resist.
Fans of Christian romance will delight in this tale of salvation through love.Pub Date: Feb. 6, 2018
ISBN: 978-1-4964-0790-0
Page Count: 500
Publisher: Tyndale House
Review Posted Online: Nov. 11, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A sadly slapdash World War II adventure.
Fictional account of the unsung women operatives who helped pave the way for D-Day.
Jenoff’s (The Orphan's Tale, 2017, etc.) latest alternates between postwar America and war-torn Europe. The novel opens in 1946 as Grace, whose soldier husband died in an accident, is trying to reinvent herself in New York City. In Grand Central terminal she stumbles upon an abandoned suitcase, wherein she discovers several photos of young women. Soon, she learns that the suitcase’s owner, Eleanor, recently arrived from London, has been killed by a car. Flashback to 1943: Eleanor, assistant to the Director of Britain’s Special Operations Executive, suggests sending women agents to France to transmit radio intelligence on Nazi movements in aid of the Resistance and the coming Allied invasion. Women, she points out, are less conspicuous masquerading as civilians than men. A native speaker of French, Marie is an ideal candidate. After rigorous training, she is dropped into an area north of Paris, with scant instructions other than to send wireless transmissions as directed by her handler, Julian, code-named Vesper. For reasons not adequately fleshed out, Grace feels compelled to learn more about the women pictured and their connection with Eleanor. With the help of her late husband’s best friend, Mark, a burgeoning love interest, Grace accesses SOE records in Washington, D.C., only to find puzzling evidence that Eleanor may have betrayed her own agents. We hardly see Marie in action as a radio operator; we know of her transmissions from France mainly through Eleanor, the recipient, who immediately suspects something is off—but her superiors ignore her warnings. In any spy thriller clear timelines are essential: Jenoff’s wartime chronology is blurred by overly general date headings (e.g., London, 1944) and confusing continuity. Sparsely punctuated by shocking brutality and defiant bravery, the narrative is, for the most part, flabby and devoid of tension. Overall, this effort seems rushed, and the sloppy language does nothing to dispel that impression.
A sadly slapdash World War II adventure.Pub Date: Feb. 5, 2019
ISBN: 978-0-7783-3027-1
Page Count: 368
Publisher: Park Row Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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