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THE MASTERPIECE

Fans of Christian romance will delight in this tale of salvation through love.

A highly sought-after artist by day and clandestine graffiti prankster by night, Roman Velasco has shut his heart—until Grace Moore shows up on his doorstep.

Grace has overcome too much in her life: she has survived her parents’ violent deaths; she has given up her own studies to support her husband through college only to find him cheating on her in their own house; and she has transcended the shock of an unplanned pregnancy. Through it all, Jesus has stood by her, even appearing as an angel to comfort her when she was a grieving 7-year-old trying to find a way to endure. Recently, she has found a home for herself and her 5-month-old son, Samuel, but living with the Garcias, who had hoped to adopt Samuel, is difficult, especially since Selah consistently pushes Grace away, casting herself as the boy’s constant maternal presence. So when Grace accepts a job as the temperamental Roman’s personal assistant, complete with a cottage to herself —a cottage where she can start to separate from Selah and her family, where she can build a life for herself and Samuel —it's a dream come true. Roman’s rough language and atheism, however, trouble Grace, just as Grace's spirituality and privacy trouble Roman. After all, he's used to easy women and commitment-free interludes. Christian novelist Rivers (Earth Psalms, 2016, etc.) deftly threads Roman’s and Grace’s lives together as they tiptoe around their emotional scars, eventually shifting into a dance of tentative steps toward a love neither can resist.

Fans of Christian romance will delight in this tale of salvation through love.

Pub Date: Feb. 6, 2018

ISBN: 978-1-4964-0790-0

Page Count: 500

Publisher: Tyndale House

Review Posted Online: Nov. 11, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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