Revealing, if long-winded, examination of contemporary Orthodox Judaism.
Conniving rebbitzin topples a wealthy Jewish community.
Delilah Goldgrab is as acquisitive as they come. As a young girl, she sets her sights on living in a Woodmere Tudor mansion with a large household staff. When she fails to ensnare a wealthy husband from Bernstein Rabbinical College, Delilah settles for the noble dullard, Chaim Levi. Chaim’s grandfather is a prominent Rabbi in the Bronx and heir to a tiny synagogue. When Delilah senses she’s getting locked into a lower-class life, she tramples on Chaim’s unsuspecting congregants and begins her mad grab at affluence. Doltish Chaim refuses to acknowledge Delilah’s sins. Instead, he surrenders to her prodding and applies for a position at the notorious Swallow Lake temple. Swallow Lake’s members are fabulously wealthy and famously divided in their faith. Chaim knows he’s signing on for an impossible task when he accepts the Rabbi position, but he’s helpless. Delilah, now pregnant, calls all the shots in this family. The community quickly sours on Delilah’s lackadaisical piety. Delilah tries to distract her critics by luring a fabulously wealthy Russian Jew and his wife into the fold and succeeds in dismantling the congregation. Ragen (The Covenant, 2004, etc.) does an apt job illustrating the numerous demands upon a rabbi and his wife (the rebbitzin). But she fails to make the job appear to be an unbearable burden—these guys are the equivalent to middle management in a large corporation. The book would be far more entertaining if Delilah possessed admirable traits; alas, she is bland in her depravity. Endowed with blonde hair, a voluptuous figure, the first name of a “wicked whore” and a surname that is synonymous with money grubbing, she does not come across as a morally upstanding member of the shul. For the non-Orthodox crowd, the scandals will seem tame, but the culture exotic. For those enmeshed in Ragen’s culture, this book may stir up some controversy: Have rabbis become too beholden to their benefactors?
Revealing, if long-winded, examination of contemporary Orthodox Judaism.Pub Date: Aug. 1, 2007
ISBN: 978-0-312-35238-7
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2007
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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