As deceptively diffuse as it is meticulously observed, Ginzburg’s novel is a gem.
In the shadow of World War II, a young couple explores their feelings for one another.
In this short but very affecting novel, originally published in English in 1963, characters speak of trivialities. “What a fine head of hair he has, at that age!” Elsa’s mother tells her as, walking home, they pass a neighbor. “Did you notice how ugly the dog has become?” Neither Elsa’s mother nor anyone else in their small Italian village knows that Elsa has fallen in love with Tommasino, the youngest child of Balotta, the old factory owner. The book takes a looser structure than Ginzburg’s others. Elsa and Tommasino bookend the story with their affair, but the middle is taken up by an account of Tommasino’s siblings and their spouses: Purillo, the adopted cousin who takes over their father’s factory; long-faced Gemmina; dreamy Vincenzino; and Mario, who marries Xenia, a Russian who speaks French but no Italian and so cannot converse with anyone in the village. What all these lives have to do with one another doesn’t become clear until the end. What is clear is that there is a darker current running beneath all the trivialities. During the war, Purillo sympathized with the fascists, an affectation for which the others mocked him. Nebbia, a friend, was killed behind the house. “I have the feeling,” Tommasino tells Elsa near the end, “that they have already lived enough, those others before me; that they have already consumed all the reserves, all the vitality that there was for us….Nothing was left over for me.” Rarely does Ginzburg directly address politics—fascism, in particular—but its shadow hangs over the book just like it hangs over the characters. The result is profound and profoundly moving.
As deceptively diffuse as it is meticulously observed, Ginzburg’s novel is a gem.Pub Date: May 4, 2021
ISBN: 978-0-8112-3100-8
Page Count: 144
Publisher: New Directions
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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