An early comic drills home the lesson that you never know how much you need someone until you find a friend.
Two wild critters navigate seasons along with the ups and downs of an unexpected friendship.
Tiny Fox lives in a valley with just an apple tree for companionship, and, “like most small animals, he went about his day believing he was happy.” All that changes when Great Boar arrives and plops down beneath the tree. Perturbed, Tiny Fox now has to share everything. When he leaves for a short time and returns, however, he discovers Great Boar is gone and a newfound loneliness has settled in his place. Happily, the two are reunited in the first story in this collection (“Here”), and as the seasons change (“Together” takes place during fall and winter, snowy weather continues in “Apart,” and “There” takes the pals into spring), the two learn to trust one another and, when called upon to do so, trust themselves as well. Watercolors capable of evoking not simply the splendor of a new dawn, but also this little book’s emotional pitch are wielded with surgical skill. The smallest dab of a line beneath an eye can indicate remorse or, more often, worry. This storyline provides an elegant bridge between picture books and graphic novels; for fans of similarly early, gentle comics like Fox and Rabbit by Beth Ferry (2020) and Bug Boys by Laura Knetzger (2020).
An early comic drills home the lesson that you never know how much you need someone until you find a friend. (Graphic early reader. 6-9)Pub Date: April 12, 2022
ISBN: 978-1-63715-020-7
Page Count: 64
Publisher: Oni Press
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow,...
Can Gerald and Piggie’s friendship withstand the friendly overtures of Brian Bat?
When Snake informs Gerald that Piggie is playing with Brian Bat, he is at first complacent. Brian is “nice,” he observes; Snake concurs—after all, he says, “Brian is my Best Friend!” Their mutual reflection that Piggie and Brian “must be having a super-duper fun time!” turns, however, to paranoia when they realize that if their best pals “are having that much fun together, then… / …maybe they do not need us” (that last is printed in teeny-tiny, utterly demoralized type). Gerald and Snake dash/slither to put an end to the fun. Their fears are confirmed when the two new buddies tell them they have “been playing BEST FRIEND GAMES!”—which, it turns out, means making drawings of their respective best friends, Gerald and Snake. Awww. While the buildup to the friends’ confrontation is characteristically funny, there’s a certain feeling of anticlimax to the story’s resolution. How many young children, when playing with a new friend, are likely to spend their time thinking of the friends that they are not playing with? This is unfortunate, as the emotions that Gerald and Snake experience are realistic and profound, deserving of more than a platitudinous, unrealistic response.
Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow, color-coded speech bubbles, hilarious body language—except an emotionally satisfying ending. (Early reader. 6-8)Pub Date: June 3, 2014
ISBN: 978-1-4231-7958-0
Page Count: 64
Publisher: Hyperion
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually marvelous, like its subject—with a text more poetic than expository.
This latest collaboration between Fleming and Rohmann explores the elusive giant squid.
Fleming focuses as much on lingering unknowns as facts, introducing uncertainty in a poetic prologue: "Who are these giants of the dark seas?… // It is a mystery. // After all, how can you know / about an animal hidden from view? / You must rely on clues, / as scientists do...." Rohmann's full-bleed oil-on-paper pictures convey the squid's enormous size by capturing only its parts. Its two tentacles, "curling and twisting and thirty feet long," undulate both within the picture plane and outside it. After a barracuda’s foiled by squid ink, dramatic double gatefolds open, revealing that even a yardwide page can’t fully contain this creature. Sea depths are dark teal, purpled, or blackened; gorgeously crisp white text type casts its own light. Anatomical details elicit Fleming's most assertive descriptions. As tentacles enfold a fish, "they latch on with powerful / sucker-studded clubs. / ... / Suckers ringed with saw-like teeth / that rip into skin and hold on tight." There’s a startling close-up of "the beak. / Bone-hard and parrot-like." Poetic compression occasionally results in obfuscation. Accounting for the squid's huge eyes, Fleming elides bioluminescence (effectively, jellyfishes’ early-warning system of approaching predators), discernible by the squid only as “a shimmering outline.” The creature’s potential color changes are mentioned speculatively, without further qualification.
Visually marvelous, like its subject—with a text more poetic than expository. (labeled diagram of giant squid, author’s note, bibliography, web resources, suggested books) (Informational picture book. 6-9)Pub Date: Sept. 27, 2016
ISBN: 978-1-59643-599-5
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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