An absorbing, moving, cathartic collection.
Writers reflect on their experiences of loneliness and solitude.
In this above-average collection of personal essays, a richly diverse set of writers recall how periods of solitude have impacted their lives. Depending on their past or present circumstances, they evoke sensations of dread or despair, joy and enlightened freedom, often working through their darkest emotions to discover a renewed sense of well-being. “I was drawn to essays about the quiet delights of solitude and the shocks of isolation, as well as reflections on the gentler waves of loneliness that come and go throughout our lives,” writes Garrett. “I longed to create a harbor for our most vulnerable stories, told with urgency and sometimes with levity—affirming stories that might reassure and reconnect us. Most of all, I hoped to shine light on a universal emotion and experience that is often pushed down into the dark.” Each essay, most of which are memorable, offers a meaningful glimpse into the varying depths of loneliness. “Javelinas” is Claire Dederer’s account of her six-week writer’s residency in Marfa, Texas, where she confronted her all-consuming issues with alcoholism. In “Exodus 2020,” Emily Raboteau hauntingly recounts a sorrowful sense of impending loss and doom caused by the mass departure of a New York City apartment building’s tenants during the pandemic. Lena Dunham examines her evolving feelings of aloneness during the breakup of a long-term relationship. Yiyun Li’s “To Speak Is To Blunder but I Venture” and Jean Kwok’s “The Perpetual Foreigner” movingly reflect on their personal journeys and struggles as Chinese immigrants; the loneliness of forfeiting one’s native language; and the sense of freedom in allowing one’s ambition to flower. It’s been well noted that writing can be a lonely endeavor, but this book demonstrates that great illumination can be found in the process. Other contributors include Maggie Shipstead, Lev Grossman, Anthony Doerr, Peter Ho Davies, Jesmyn Ward, and Melissa Febos.
An absorbing, moving, cathartic collection.Pub Date: April 19, 2022
ISBN: 978-1-948226-60-8
Page Count: 272
Publisher: Catapult
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 1, 2022
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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