Readers will root for these characters, wishing them Austen-worthy happy endings.
In the insular post-World War Two gloom of an English village, seven damaged people soldier on, heartened only by their shared enthusiasm for Jane Austen.
Chawton, the village at the heart of this story, contains the small cottage Austen occupied before her death, and it's also a cauldron of repressed longing and regret worthy of a Victorian novel. James Knight, dying heir of the Knight estate, owns the cottage as well as a stately manor house. The embittered James has altered his will: Upon his death, his only child and caregiver, Frances, a reclusive spinster of 47, will be dispossessed and the estate entailed to the closest male relative. Frances and her father’s lawyer, Andrew, were once in love, but James forced them apart. Adeline, a former schoolteacher, is pregnant and widowed—her husband died in combat in the war’s closing days. Her physician, Dr. Gray, a widower who blames himself for his wife’s accidental death, is too guilt-ridden to act on his attraction to Adeline. After she loses the baby, her Pride and Prejudice–style bantering with Dr. Gray gives way to distrust, and each flirts with morphine addiction. “Sad, silent” Adam, who farms the estate, was introduced to Austen by a visiting American fan, Mimi, a Hollywood star, who, at 35, is about to be put out to pasture by a lecherous studio boss. Evie, compelled by circumstance to forego scholarly ambitions, is a housemaid for the Knights. She’s been secretly cataloging every book in the manor’s vast library and has discovered some potentially priceless Jane Austen artifacts. These lost souls, who have been misjudged by society and/or misjudge themselves, find healing through forming the titular society to preserve the cottage as a museum—as its real-life counterpart is today. More than a passing familiarity with Austen’s work may be a prerequisite to fully appreciating this book—Austen’s characters often seem more real to Jenner’s characters than their own relatives and neighbors. But, thanks to Jenner’s psychologically astute portrayals, the society founders themselves are very real and thoroughly sympathetic.
Readers will root for these characters, wishing them Austen-worthy happy endings.Pub Date: May 26, 2020
ISBN: 978-1-250-24873-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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