The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings.
When Holiday, a triangular blue chap in a party hat, arrives, ready to take Monday’s place, the seven days react.
Yellow, square Monday, accustomed to kicking off each week, is firm: “While I do appreciate your offer, the other days and I have everything under control.” As Holiday unpacks anyway, peacemaker Tuesday demurs: “this Holiday seems kind of fun. Perhaps we could just see what happens….” Sociable Thursday introduces Holiday to the others, enthusiastically touting Friday’s weekly party. Saturday and Sunday, who “usually sleep all week,” show up in bedroom slippers. While Monday remains dismayed, the others marvel at celebratory cake and balloons. When Holiday announces he’d like to stay longer by usurping additional days’ spots, though, there’s new pushback from Wednesday and Friday. Regretting the conflict, Holiday contritely vows to leave. Tuesday offers a nifty compromise: Could Holiday return in a month or so? Even Monday sees the appeal of an occasional break. All ends well, with a nap for Monday through Sunday. Nelson’s digital collages use simple shapes, generalized facial features, and accessories for the armless, apparently arbitrarily shaped characters. Text is delivered mainly in dialogue bubbles. While the mini-drama nicely anchors the story, there’s no apparent significance to Holiday’s visit beyond a routine-disrupting excuse for a party.
(This book releases first as a digital edition, with print release currently scheduled for Aug. 4, 2020.)
The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings. (Picture book. 3-7)Pub Date: May 1, 2020
ISBN: 978-1-77306-200-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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