The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings.
When Holiday, a triangular blue chap in a party hat, arrives, ready to take Monday’s place, the seven days react.
Yellow, square Monday, accustomed to kicking off each week, is firm: “While I do appreciate your offer, the other days and I have everything under control.” As Holiday unpacks anyway, peacemaker Tuesday demurs: “this Holiday seems kind of fun. Perhaps we could just see what happens….” Sociable Thursday introduces Holiday to the others, enthusiastically touting Friday’s weekly party. Saturday and Sunday, who “usually sleep all week,” show up in bedroom slippers. While Monday remains dismayed, the others marvel at celebratory cake and balloons. When Holiday announces he’d like to stay longer by usurping additional days’ spots, though, there’s new pushback from Wednesday and Friday. Regretting the conflict, Holiday contritely vows to leave. Tuesday offers a nifty compromise: Could Holiday return in a month or so? Even Monday sees the appeal of an occasional break. All ends well, with a nap for Monday through Sunday. Nelson’s digital collages use simple shapes, generalized facial features, and accessories for the armless, apparently arbitrarily shaped characters. Text is delivered mainly in dialogue bubbles. While the mini-drama nicely anchors the story, there’s no apparent significance to Holiday’s visit beyond a routine-disrupting excuse for a party.
(This book releases first as a digital edition, with print release currently scheduled for Aug. 4, 2020.)
The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings. (Picture book. 3-7)Pub Date: May 1, 2020
ISBN: 978-1-77306-200-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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