A clever, though at times predictable, analysis of modern-day British politics.
A young journalist’s searing feature about a near-death attack at a rave on a Yorkshire farm at the height of the Covid-19 pandemic exposes the sociopolitical undercurrents of contemporary Britain.
Hannah, a struggling freelance journalist, is catapulted into quasi-fame after writing a buzzy exposé. The article seeks to understand the motive behind the violent attack with a gold bar—and discovers a tangled web involving an unprincipled banker, a controversial conservative writer, and an anarchist movement. The first third of the novel is relayed via the article itself, a form which is engaging but feels, at times, somewhat basic. The rest of the book explores the fallout from the article. With the money from its success, Hannah’s been able to buy a flat, but has drifted from her university friends, who don’t respect her work or her politics. Lenny, the provocative columnist somewhat responsible for the article’s nascence, experiences a sudden mainstream popularity different from her previous position on the fringe. Brown’s novel is strongest and most compelling in its sharp analysis of social relationships, of the ways in which we understand and fail to understand one another: Hannah’s friend Martin thinks, “That was the problem with Hannah, and the thing he couldn’t reconcile in all this. She was culturally clueless, practically allergic to the zeitgeist. How had she pulled it off?” Or when Lenny, interviewed by Martin, lashes out in a moment of viciousness: “I find that I’m leaning over to him, jeering: ‘Er, er, er...um, um, um...’ My voice is high-pitched and throaty, a cruel imitation of his stammer.” She recognizes, as soon as she’s done it, that “it was too far, too nasty.” At times, Brown’s political analysis is acute, although her characters are in danger of presenting as caricatures; Lenny, in particular, who fuels much of the antiwoke commentary, can appear a little two-dimensionally predictable, despite the book’s insistence that she defies labels constituting its own strategic predictability (“Yes to Europe, no to multiculturalism, maybe a yes to feminism? Pro-regulation, anti-affirmative action, pro-leveling up...It all comes off a little, hm, a little muddled,” the interviewer remarks).
A clever, though at times predictable, analysis of modern-day British politics.Pub Date: March 4, 2025
ISBN: 9780593977309
Page Count: 176
Publisher: Random House
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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