Amusing, if a little clunky.

THE DARING OF DELLA DUPREE

From the Poppy Pendle series

Eleven-year-old witch Della Dupree must muster all her courage when she’s stranded in the 13th century.

If only Della were brave enough to stand up against the school bullies. But Della knows that if she does, the mean girls will turn on her next. It’s already hard enough to share a name with the famous Della Dupree, who founded Ruthersfield Academy in 1223 to educate witches. Della lives in a Britain where nonmagical people know about and love witches, and her own nonwitchy family is supportive. But what if Della were to travel back in time to meet the historic Della, and what if she were to learn what it’s like to live in a time when witches are hated and feared? Della’s soon stranded in 1223, having lost the magical necklace that enabled her spur-of-the-moment illicit jaunt into the past. As Lowe writes it, history smells atrocious and features hideous food—one particularly “nasty pottage” prompts Della to make a quick magical lasagna, and a disgusting pheasant stew leads her to magic up a chicken curry—but the witch girls Della meets are lovely. She just wishes she were brave enough to save them from the dungeon. In the mildly anachronistic past of her apparently all-white village of Potts Bottom, Della finds her spunk. Slightly awkward prose with odd explanatory asides distracts from both humor and pacing, but scenes in which these medieval characters first experience modern food are mouthwatering.

Amusing, if a little clunky. (recipes, crafts) (Fantasy. 8-11)

Pub Date: Aug. 4, 2020

ISBN: 978-1-5344-4367-9

Page Count: 272

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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An uplifting sequel told with heart and humor.

MERCI SUÁREZ CAN'T DANCE

Merci returns for another year of challenges and triumphs at home and at Seaward Pines Academy.

Life is a little different for Merci Suárez in seventh grade. Her older brother, Roli, is off at college; her grandfather Lolo’s Alzheimer’s is more pronounced; and she has to regularly babysit her Tía Inés’ spirited young twins. Merci is also assigned to manage the school store with math whiz Wilson Bellevue, a quiet classmate who she realizes is not obnoxious like other boys. When Merci and Wilson are expected to sell tickets to the Valentine’s Day Heart Ball, she must interact with a slightly-less-mean Edna Santos, who’s running the dance and unexpectedly getting closer to Hannah, one of Merci’s best friends. Medina continues to tenderly explore issues such as multigenerational immigrant family dynamics, managing the responsibilities of home and school, and learning how to navigate changing friendships and first crushes. Merci’s maturity and growth are as engaging and compelling as they were in the author’s Newbery Medal winner, Merci Suárez Changes Gears (2018). The cast is broadly diverse; Merci and her family are Cuban American, Edna is Dominican, and Creole and Cajun Wilson has a physical disability.

An uplifting sequel told with heart and humor. (Fiction. 9-13)

Pub Date: April 6, 2021

ISBN: 978-0-7636-9050-2

Page Count: 384

Publisher: Candlewick

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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