Where Pulley’s first novel sparkled with the ingenuity of spinning gears, her second offers a slower, sadder meditation on...
Pulley’s (The Watchmaker of Filigree Street, 2015) second novel demonstrates that the imagination she showed in her impressive debut was no fluke.
The story opens in 1859, with the narrator, Merrick Tremayne, morosely nursing an injured leg at his decrepit family estate in Cornwall. Merrick used to smuggle opium into Hong Kong for the East India Company until an explosion a few years ago cost him his health and job. Botany and exotic travel run in the family: his grandfather and father both spent years in Peru, combing the Andes for botanical valuables such as orchids and frost-resistant coffee. Now the company wants to send Merrick to his ancestors’ old stomping grounds, hiring him to break the Peruvian quinine monopoly by smuggling out cuttings from cinchona trees, the source of the antimalarial medicine. Is Merrick well enough to hike the Andes? Pulley understands her genre—swashbuckling costume fantasy—but she deals in surprises, not clichés. An exploding tree, a mysterious moving statue, and a visit from an old friend help make up Merrick’s mind, propelling him across the ocean to a strange world of thin air, volcanic glass, and floating cities, where descendants of the Incas keep magical secrets. Strictly speaking, this is a prequel—a few paragraphs and a character or two tie this novel to Pulley’s masterful debut—but the two books have very different atmospheres.
Where Pulley’s first novel sparkled with the ingenuity of spinning gears, her second offers a slower, sadder meditation on love, trust, and the passage of time.Pub Date: Aug. 1, 2017
ISBN: 978-1-62040-967-1
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
A moderately promising entry that should find an audience.
Larkwood's debut, the first of a fantasy series, begins in familiar fashion as a warrior-maiden adventure and gradually develops into a love story.
In this imaginative but never fully convincing universe, places may be reached via magical gates leading through a maze of dead and dying worlds. Magic powers derive from a rare, innate ability combined with power vouchsafed by a patron god. Csorwe is of a hominin race that sports tusks—these are functionless and, unfortunately, impossible to visualize without thinking "piggish." In a narrative rendered in crisp, vivid prose, Csorwe serves the oracular shrine of a god—the Unspoken Name—but is destined soon to sacrifice herself. Then Sethennai, a wizard—his race has Spock ears—requesting a prophesy about the mysterious and powerful Reliquary of Pentravesse, offers her a choice: serve him and live, or marry the god and die. Csorwe chooses life and becomes Sethennai's ninja. The wizard, formerly the ruler of the city Tlaanthothe, needs her to help reclaim his position from a scheming rival. Later, during a quest to secure the Reliquary, she will clash with the Qarsazhi, imperial interworld extortionists, and their powerful young wizard Shuthmili, who's fated to be absorbed by their enforcement arm but, like Csorwe, never conceived other possibilities. Until this point, the story meanders, but finally the author finds a unique voice no longer dependent on boilerplate action, chases, escapes, torture, and fights. And when Csorwe and Shuthmili meet and fumble toward a relationship, we recognize heartfelt emotion, real substance, and an emergent theme: loyalties and the choices we make that engender them. These, along with the strong female leads, are solid foundations upon which to build.
A moderately promising entry that should find an audience.Pub Date: Feb. 11, 2020
ISBN: 978-1-250-23890-0
Page Count: 464
Publisher: Tor
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
PERSPECTIVES
Liu’s trilogy is the first major work of science fiction to come to the West out of China, and it’s a masterpiece.
What if alien civilizations do exist? In this final installment of a stunning and provocative trilogy (The Dark Forest, 2015, etc.), Liu teases out the grim, unsettling implications.
Previously, astronomer-turned-sociologist Luo Ji forestalled an invasion attempt by advanced aliens from planet Trisolaris. Luo’s “dark forest” deterrence works thus: if intelligent species exist, inevitably some will be hostile; therefore, safety lies in remaining hidden while threatening to reveal your enemy’s location to the predators. Earth knows where Trisolaris is, but the Trisolarans can’t threaten to reveal Earth’s location since they want to occupy it. Here, the story picks up at an earlier juncture. Cheng Xin, an aerospace engineer developing a probe to study the approaching Trisolaran fleet, learns that a friend has been tricked into volunteering to die in order to assist the project. Horrified, she retreats into hibernation. When she revives centuries later, dark forest deterrence holds the Trisolarans at bay. Luo, now old, hands Cheng the key to Earth’s defense. Unfortunately, the sophons—tiny, intelligent, light-speed computers sent by the Trisolarans as spies—know Cheng lacks Luo’s ruthlessness and immediately seize control of Earth; only by luck does Earth manage to trigger its deterrent. Hostile aliens immediately destroy planet Trisolaris, whose invasion fleet turns away because it’s only a matter of time before the same invisible antagonists deduce the existence of Earth and strike the solar system. Once again, Cheng must choose between logical ruthlessness and simple human compassion, with the fate of humanity at stake. This utterly absorbing book shows little interest in linear narrative or conventional character interactions. Instead, the author offers dilemmas moral, philosophical, and political; perspectives—a spectacular glimpse of three dimensions seen from a four-dimensional viewpoint; a dying universe shattered by billions of years of warfare; and persuasive ideas whose dismal repercussions extend beyond hope and despair into, inescapably, real-world significance.
Liu’s trilogy is the first major work of science fiction to come to the West out of China, and it’s a masterpiece.Pub Date: Sept. 20, 2016
ISBN: 978-0-7653-7710-4
Page Count: 592
Publisher: Tor
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
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