This love story is witty, bittersweet, surprising, and compellingly readable.
A fantasy novelist reimagines the myth of Dionysus.
Pulley’s intricately plotted fantasy novels have explored the past couple hundred years, the near(ish) future, and alternate versions of both. In her new novel, she goes back millennia further to Bronze Age Thebes. The protagonist, Phaidros, is one of the Sown, an elite fighting force named after knights said to have sprouted from a dragon’s teeth. The Sown are organized in pairs: a commander and his ward, whom he raises and trains, then sometimes marries. (Married couples and devoted family pairs will fight like the gods to keep each other alive, the thinking goes.) Phaidros’ commander is Helios, a royal prince. When Queen Agave, Helios’ sister, tries to kill their other sister’s blue-eyed baby nephew (said to be a son of Zeus, but that’s what people always say about illegitimate children), 5-year-old Phaidros helps Helios whisk the entrancing baby away to safety. Years later, Phaidros encounters a blue-eyed adolescent who turns sailors into dolphins, and then—years later yet—a blue-eyed man named Dionysus who makes fruit and vines grow in the middle of a drought. Are they the same person? Is this the illegitimate prince come back for revenge? Is his father really Zeus, after all? Is he a god himself, or just an ordinary witch (a magical healer)? Is it safe for Phaidros to love him? Must Phaidros choose between compassion and duty—and will he choose right? Pulley brings out her favorite elements—palace intrigue, gallant lovers, masks, transformations, ambiguity, automata—and twists them into mesmerizing patterns. Though she draws extensively on mythological source material, the novel feels more like fantasy than the myth-come-to-life realism of retellings such as those by Madeline Miller.
This love story is witty, bittersweet, surprising, and compellingly readable.Pub Date: March 18, 2025
ISBN: 9781639732364
Page Count: 416
Publisher: Bloomsbury
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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