This novel will bend and twist your notion of what love is, while leaving you utterly bewitched.
A woman marked by a family curse has a chance to rewrite her fate—but not without making a bargain with darkness.
Centuries ago, a being is born from the shadows, the product of a ritual, and roams in search of light from souls to feed its darkness. The being eats its first soul and takes the soul’s human form, becoming Miriam Richter. Fast forward to 1576 when Cybil Harding is born “under inauspicious stars,” the first daughter who, according to family lore, is cursed to be a witch and bring nothing but destruction. Cybil’s father, a man of magic himself, is heavily influenced by the Reformation and believes his magic to be the spreading of miracles. Cybil, then, is a dark spot in his vision. When witchcraft becomes a death sentence in England, her father takes matters into his own hands. Using the same ritual as his forefathers, he summons a spirit of the darkness to do his bidding—Miriam. Emboldened by the brightest soul she has ever seen—Cybil’s—Miriam wants her above all else. Cybil is less than willing to give up her soul to darkness when she has barely had a chance to live. Thus begins a unique game of cat and mouse: “We are light and darkness, you and I. There is no choice. Eventually, one of us must destroy the other.” Cybil’s realization of her supernatural potential is juxtaposed against the fury of men at her mere existence. Miriam sees her opportunity to offer Cybil a deal, a life free from the bonds of her curse. But wagering a deal with darkness comes with unimaginable consequences, and Cybil’s soul is destined for a journey of lifetimes. Siegel uses her skills as a writer of historical fiction to highlight the changing form of oppression against women across centuries, while infusing a compelling supernatural arc that makes this story one to remember. Cybil’s journey is one of oppression, self-discovery, violence, and love, these dichotomies most simply summed up by the struggle of light versus darkness. Cybil and Miriam’s deeply complicated bond shows the human side of evil and the dark side of love. Despite her story’s grand scope, Siegel has written something both ugly and beautiful in the most human of ways.
This novel will bend and twist your notion of what love is, while leaving you utterly bewitched.Pub Date: Nov. 25, 2025
ISBN: 9780063418028
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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