A welcome Chinese addition to the fairy-tale shelf.
Goldy Luck, not an especially lucky child, is awoken by her mother one Chinese New Year and sent to the neighbors’ to wish them “Kung Hei Fat Choi” and deliver a plate of turnip cakes.
Tired and hungry, and thinking of the neighbor boy who doesn’t share, she is reluctant, but she takes her mother’s advice seriously: To avoid bad luck in the new year, she must resolve arguments and be kind. Though no one is home at the Chans’, she enters—and drops the cakes. In trying to clean up, she follows the typical “Goldilocks” storyline, eating the Chans’ congee, breaking a chair, falling asleep in a bed. When the Chans (anthropomorphized pandas) return home, the embarrassed Goldy runs away, but her conscience gets the better of her. In a moral addendum, Goldy returns to the Chans’ to put things right, forming a friendship with Little Chan in the process. Zong’s acrylic illustrations bring Goldy’s culture to life through small details in the households as well as the Chinese New Year parade glimpsed through the doors and windows, though some of the details (Mr. Chan’s massage chair) may seem stereotypical. An author’s note explains more about Chinese New Year and is followed by a chart, unfortunately yearless, of the Chinese zodiac and concludes with a recipe for turnip cakes.
A welcome Chinese addition to the fairy-tale shelf. (Picture book. 4-8)Pub Date: Jan. 7, 2014
ISBN: 978-1-58089-652-8
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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