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FRIDAY WAS THE BOMB

FIVE YEARS IN THE MIDDLE EAST

The author’s honesty and his self-absorption are two sides of the coin.

These essays can stand alone, but they cohere as a slim memoir of a young American family’s years of danger in the Middle East.

There have been plenty of better memoirs from war correspondents, but what distinguishes this is its perspective from the sidelines—specifically, the gender reversal, underscored often, as Los Angeles Review of Books contributor Deuel is the husband of Kelly McEvers, NPR’s Baghdad bureau chief through much of the narrative. This job often caused her to be separated from the author and their young daughter. Both journalists like living on the edge, flirting (or more) with danger, asking the existential question, “What’s the point of being safe if you don’t feel fully alive?” One point might be the addition of their daughter, who added a complication, as “the swashbuckling couple who had never shied away from doing anything insane…were about to bring a new baby into this world.” And the world into which she was born was one of car bombs, shooting in the streets, internal and external warfare, and temperatures that could exceed 120 degrees. Amid the death and carnage, the daughter whom Deuel loves was somehow a threat to his masculinity: “Among other problems, it was difficult to be a man, changing diapers, while Kelly swashbuckled her way across Mesopotamia….For Kelly, the Middle East was the big leagues. For me, it was a place to find a good doctor and maybe some daycare. Alone on a Friday night, I’d pour myself another glass and wonder: What could I do? One thing I couldn’t ever do in good taste was complain too much. After all, actual Iraqis had it much worse than I did.” The question, then, is how much complaining is too much?

The author’s honesty and his self-absorption are two sides of the coin.

Pub Date: May 13, 2014

ISBN: 978-1-938604-90-4

Page Count: 160

Publisher: Dzanc

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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