Frightfully funny.

READ REVIEW

FRANKENSTEIN'S FRIGHT BEFORE CHRISTMAS

In their second collaborative parody, Walton and Hale join forces under the pen name of “Ludworst Bemonster” to create a comic tale combining elements of the Frankenstein story, “The Night Before Christmas” and the classic Madeline.

Twelve young monsters live in an old Victorian house with their guardian, Miss Devel, a mad-scientist sort with a white lab coat and safety goggles. On Christmas Eve, Santa attempts to deliver presents to the little monsters. Due to the deteriorating nature of the old mansion, Santa and the reindeer fall through the roof, and out of his sack come raining new heads for all the monsters but young Frankenstein. He tells Santa that he would like to learn to fly as his gift, so all the monsters pile into the sleigh for a trip to the North Pole. The text loosely follows the structure of “The Night Before Christmas” with an occasional line from Madeline. (“Something’s not right!”) There’s lots of humor: monsters switching heads and wetting beds, a Christmas tree decorated with snakes and bones, and plenty of pratfalls and crashes. Echoing the style of Bemelmans, most illustrations use a limited palette of gray and lime-green with splashes of red for Santa and his sleigh. Children do not have to be familiar with Madeline or even Frankenstein to get the humor; slapstick comedy needs little introduction.

Frightfully funny. (Picture book. 4-8)

Pub Date: Oct. 14, 2014

ISBN: 978-0-312-55367-8

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How to Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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Haphazard but jolly enough for one outing; it probably won’t last for more.

THE CRAYONS' CHRISTMAS

From the Creative Creature Catcher series

A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).

Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.

Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51574-6

Page Count: 52

Publisher: Penguin Workshop

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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