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STOCKHOLM NOIR

Stockholm may not be Marseille, but Larson and Edenborg’s contributors show that even a verdant place with socialized...

Larson and Edenborg manage to unearth a dark side to a city that “is verdant, clean, and surrounded by crystalline water.”

Since Sweden’s crime rate is so low, many of these 13 new stories revolve around social issues. Affordable housing is surprisingly high on the list. In Johan Theorin’s “Still in Kallhäll,” Inger Frimansson’s “Black Ice,” and Carl Johan De Geer’s “The Wahlberg Disease,” the lust for desirable homes becomes a driving force to crime. Sweden’s version of the war on drugs powers Anna-Karin Selberg’s “Horse.” And co-editor Larson’s “10/09/03” offers a Swedish take on good old-fashioned xenophobia. Martin Holmén’s “The Smugglers” features more conventional law breaking, and there’s plenty of room for tales of love gone wrong, like Åke Edwardson’s “Stairway from Heaven,” Malte Persson’s “The Splendors and Miseries of a Swedish Crime Writer,” and Unni Drougge’s “Death Star.” But “gone wrong” doesn’t come close to describing the romantic calamities of Lina Wolff’s “Northbound” and Torbjörn Elensky’s “Kim.” Co-editor Edenborg shows a police officer sliding off the rails in “Nineteen Pieces.” And Inger Edelfeldt’s “From the Remains” is a testament to what Larson and Edenborg call Swedes’ love of “scaring themselves.”

Stockholm may not be Marseille, but Larson and Edenborg’s contributors show that even a verdant place with socialized medicine can have its seamy side.

Pub Date: March 1, 2016

ISBN: 978-1-61775-297-1

Page Count: 256

Publisher: Akashic

Review Posted Online: Dec. 6, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NOTHING VENTURED

An expert juggling act that ends with not one but two intercut trials. More, please.

His Clifton Chronicles (This Was a Man, 2017, etc.) complete, the indefatigable Archer launches a new series that follows a well-born police officer from his first assignment to (spoiler alert) his appointment as commissioner of the Metropolitan Police some volumes down the road.

William Warwick may have been born with a silver spoon in his mouth, but he’s done everything he can to declare his independence from his father, Sir Julian Warwick QC. When William, fresh out of King’s College with a degree in art history, announces his intention to enroll in Hendon Police College, his father realizes that he’ll have to count on William’s older sister, Grace, to carry on the family’s tradition in Her Majesty’s courts. Instead, guileless William patrols the streets of Lambeth until a chance remark lands him on DCI Bruce Lamont’s Art and Antiques unit under the watchful eye of Cmdr. Jack Hawksby. No fewer than four cases await his attention: the forger who signs first editions with the names of their famous authors; a series of even more accomplished forgeries of old masters paintings; a well-organized series of thefts of artworks by a gang whose leader prefers selling them back to the companies who’ve insured them and often don’t even report the thefts to the police; and a mysterious series of purchases of century-old silver by one Kevin Carter. His investigations take William across the path, and then into the bed, of Beth Rainsford, a research assistant at the Fitzmolean gallery, still reeling seven years after a priceless Rembrandt was stolen from its collection, most likely by landowner and self-styled farmer Miles Faulkner. As if to prevent William from getting even a moment’s sleep in between rounds of detection and decorous coupling, Beth unwillingly drags William into a fifth case, a 2-year-old murder whose verdict she has every reason to doubt. One of these cases will bring William up against Grace, whose withering cross-examination of him on the witness stand is a special highlight.

An expert juggling act that ends with not one but two intercut trials. More, please.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-20076-1

Page Count: 336

Publisher: St. Martin's

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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NEVER LOOK BACK

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...

A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).

Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.

Pub Date: July 2, 2019

ISBN: 978-0-06-284454-5

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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