A curiously compelling debate about inequality and the complexity of choice.
Riki Ōishi still doesn’t know who she is or what she wants to do with her life. Will surrogacy be the answer?
Without skills or a degree from a prestigious university, 29-year-old Riki is finding it hard to succeed in Tokyo, although she was keen to move there from her small town in rural Hokkaido. Working as a temp, lonely and broke, she’s living on boiled eggs and marked-down convenience food. So the idea of becoming an egg donor at a fertility clinic has its financial attractions. But Riki bears a close physical resemblance to Yuko Kusaoke, wife of ballet dancer Motoi. Because the couple can’t conceive, Riki is asked to become their surrogate through artificial insemination using her own eggs, in exchange for 10 million yen. Celebrated Japanese author Kirino’s dryly observed novel carefully considers the peculiarity of surrogacy: Is it just business, or exploitative, a transaction that takes advantage of “poor women selling their uteruses”? Over time, the characters all seem in two minds about the arrangement. Since surrogacy is illegal in Japan, Motoi and Yuko must divorce (on paper) and Motoi must marry Riki for the plan to go ahead. On a brief trip home, Riki ends up sleeping with an old lover. Then, back in Tokyo, she sleeps with another friend, so when she becomes pregnant (with twins), doubts arise over paternity. Yuko and Motoi start to grow apart, not least because Yuko has no interest in children that aren’t related to her. Motoi feels compromised about plans to raise infants if they’re not his. Multiple conversations ensue—sometimes repetitively—about the options and ethics of the situation. Class, morality, obligation, and gender all come up for scrutiny as Kirino moves her figures through further emotional responses once the babies are born. The sifting concludes with Riki, who has matured (and suffered) enough, making a decision for all involved.
A curiously compelling debate about inequality and the complexity of choice.Pub Date: Sept. 9, 2025
ISBN: 9780307267580
Page Count: 352
Publisher: Knopf
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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