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THE ESCAPE ARTISTS

A BAND OF DAREDEVIL PILOTS AND THE GREATEST PRISON BREAK OF THE GREAT WAR

Expertly narrated, with just the right level of detail and drama.

Fast-paced account of a forgotten episode of World War I history.

Say what you will about the Jerries: They knew how to mount a flying circus—and how to shoot down brave Britons in the skies over France. One of those brought abruptly to ground was a 19-year-old named Colin Blain, one of the heroes of Bascomb’s (The Winter Fortress: The Epic Mission to Sabotage Hitler’s Atomic Bomb, 2016, etc.) stirring tale. Determined to get back to his own lines and pick up the war where he had left off, Blain was eventually dispatched to a camp called Holzminden, a nasty bit of maximum security work designed for British officers who had a penchant for legging it when the guards weren’t looking. Holzminden was headed by a foul-tempered commandant named Karl Niemeyer, who greeted his new charges with a ration of acorn coffee and the promise that any attempt to escape would be severely punished. Naturally, Blain tried—and with him a company of like-minded prisoners. “Shorty Colquhoun, all six and a half feet of him, wanted to dig a tunnel,” writes Bascomb. So the men of Holzminden did, with the engineering mastermind behind the plan taking advantage of unforeseen weaknesses in the prison’s infrastructure. “They wanted to keep their cabal small, twelve officers at most, to ensure the tunnel stayed secret as well as to limit the number of individuals going in and out of the building,” writes Bascomb, but in the end 29 prisoners escaped, 10 of them traveling the 150 miles to the border of neutral Holland and returning to Britain against all the odds (and Bascomb reckons that of the 10,000 attempted British escapes from prison camps during World War I, less than 6 percent succeeded). Bascomb’s portraits of the principals are affecting, Niemeyer among them—and though he became unhinged following the escape, the commandant was sound enough of mind to slip away at war’s end to avoid being tried as a war criminal, another great escape in itself.

Expertly narrated, with just the right level of detail and drama.

Pub Date: Sept. 18, 2018

ISBN: 978-0-544-93711-6

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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