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WINCHELL

GOSSIP, POWER AND THE CULTURE OF CELEBRITY

A dauntingly complete portrait of the one of the most powerful and significant figures in American journalism. Walter Winchell was all but forgotten at his death, but he created the modern gossip column and spearheaded the rise of the culture and cult of celebrity. Gabler (An Empire of Their Own, 1988) explains that Winchell uniquely understood that gossip ``was a weapon of empowerment for the reader and listener.'' Born to a Jewish family at the turn of the century, Winchell was an unlikely candidate for national power. After a childhood of Dickensian poverty, he escaped to vaudeville and then moved into journalism. Possessor of a slang-riddled prose style all his own, he was catapulted to fame covering Broadway for the Daily Graphic, a tabloid even more sleazy than any imagined in the mind of Rupert Murdoch. From there he moved to the slightly more legit Mirror, where he gradually switched from covering the demimonde of show folk and the night-clubbing rich to pontificating on national and local politics as a staunch New Dealer. But when FDR died, Winchell began an inexorable shift to the right, eventually falling in with the most scurrilous of red-baiters. A vindictive, selfish man, he died almost forgotten by the world of the famous that he had once terrorized. Gabler tells his rise-and-fall story in almost exhausting detail, recounting Winchell's constant feuding with colleagues and subjects, his army of sycophants, and his troubled family life. The result is alternately riveting and enervating, but Gabler makes a convincing case for Winchell's central role in the transformation of mass media in the middle years of the century. Clearly, the ghost of Walter Winchell is abroad in the land at a time when the O.J. Simpson preliminary hearings merit network coverage and a Supreme Court confirmation hearing does not. Gabler's book is timely, incisive and, for the most part, a good read.

Pub Date: Oct. 17, 1994

ISBN: 0-679-41751-6

Page Count: 736

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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