Powerful and chilling.
Personified as gods, drugs Roxicodone and Adderall are at the center of this novel inspired by the opioid epidemic.
Human siblings Isaac and Ivy Ramey orbit different worlds. Isaac wants to study engineering. Ivy, who has ADD, feels like she’s tried everything and still has trouble focusing. When an ankle injury jeopardizes Isaac’s chance at a soccer scholarship, he turns to Roxy to alleviate the pain, while Ivy looks to Addi to find the focus to get her life on track. Their resulting struggles with addiction drive the once-close siblings apart as they find ways to feed their dependence—Isaac’s on Roxy’s comfort, Ivy’s on the clarity of purpose Addi brings to her life. The siblings head down a path to destruction when seductive Roxy and pragmatic Addi make a bet to see who can get their “plus-one” to the Party (an unearthly rave serving as a metaphor for altered states) and all the way to the VIP lounge—“the end of the line.” The novel feels like a stage drama from the tense first chapter to the tragic end. Interludes, in which other drugs tell their stories, punctuate the main narrative. The narration switches easily from Roxy’s and Addi’s first-person perspectives to Isaac’s and Ivy’s third-person limited viewpoints. Words hidden in chapter titles hint at themes or plot points. Isaac and Ivy are assumed White.
Powerful and chilling. (Fiction. 14-18)Pub Date: Nov. 9, 2021
ISBN: 978-1-534-45125-4
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A gripping tribute to resilience.
A girl with amnesia and a boy suspected of harming his girlfriend overcome adversity to find the answers they seek.
A 17-year-old girl wakes up in a ditch, disoriented and with no memory of who she is or what happened. Found by the Alton, Oregon, police, she is brought to the station. Soon after, Wayne Boone, a man claiming to be her father, shows up. He has photos of her on his phone and her high school ID card, with the name Mary Boone. Wayne convinces the police to release Mary into his custody. The more time Mary spends with Wayne, however, the weirder things get: He’s unaware of her food allergy, and as her memories start to return, they don’t conform with Wayne’s versions of her life. In the town of Washington City, across the Willamette River, Drew is in a bad place. His girlfriend, Lola, has disappeared, and Drew was the last person to see her. His adoptive dads and cousin are the only ones who support him; everyone else, including the sheriff, thinks he’s responsible for Lola’s disappearance. Intent on finding Lola, Drew finds help in an unlikely ally, Lola’s best friend, Autumn, who is the sheriff’s daughter. But will they find Lola in time? The two immersive storylines bring to life the trials and frustrations each main character faces in this debut, which is a thrilling delight right up to the unexpected and bittersweet conclusion. Most characters are cued white; one of Drew’s dads is Guatemalan.
A gripping tribute to resilience. (Thriller. 14-18)Pub Date: Dec. 26, 2023
ISBN: 9781728270111
Page Count: 304
Publisher: Sourcebooks Fire
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
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