Coinciding with the re-release of Shusterman’s first novel (The Shadow Club, 1988), this sequel addresses the lingering consequences of hatred and revenge. Ninth-grader Jared Mercer wants desperately to be just another kid; but as the ex-leader of the Shadow Club, infamous for terrorizing outstanding students with nasty practical jokes, he remains the focus of lingering suspicion, resentment, and (most disturbing) admiration. His guilt over his actions turns to apprehension when superstar student Alec Smartz arrives, for Alec’s competitive drive evokes as much jealousy as popularity. Sure enough, the pranks start up again—harmless at first, but progressively more sinister—and everyone, even his parents, is convinced that Jared is to blame. In order to protect Alec and clear his own name, Jared must become the monster that everyone assumes he already is. In one of those rare sequels that surpass the original, Shusterman delivers thrilling suspense through probing the dark side of the adolescent psyche. Nuanced characterization ensures that there are no clear-cut villains or heroes; even the upbeat ending has a disturbingly creepy edge. As a remorseful former menace, Jared is a less provocative character than the vengeful bully of the first novel, but he is also much more self-aware and likable. His wry observations on how good people can delude themselves into justifying the most appalling acts seem particularly timely. The mystery and nonstop action will draw teens in; but the uncomfortable questions raised about guilt and responsibility will linger on. (Fiction. 11-15)
Pub Date: Feb. 1, 2001
ISBN: 0-525-46835-8
Page Count: 192
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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