by Neal Stephenson ‧ RELEASE DATE: Sept. 9, 2008
Light on adventure, but a logophilic treat for those who like their alternate worlds big, parodic and ironic.
A sprawling disquisition on “the higher harmonics of the sloshing” and other “polycosmic theories” that occupy the residents of a distant-future world much like our own.
Stephenson (The System of the World, 2004, etc.), an old hand at dystopian visions, offers a world that will be familiar, and welcome, to readers of A Canticle for Leibowitz and Dune—and, for that matter, The Glass Bead Game. The narrator, a youngish acolyte, lives in a monastery-like fortress inhabited by intellectuals in retreat from a gross outer world littered by box stores, developments and discarded military hardware. Saunt Edhar is a place devoted not just to learning, but also to singing, specifically of the “anathem,” a portmanteau of anthem and anathema. Polyphony can afford only so much solace against the vulgar world beyond the walls. It’s a barbaric place that, to all appearances, is post-postapocalyptic, if not still dumbed-down and reeling from the great period of global warming that followed “the Terrible Events” of a thousand-odd years past. Our hero is set to an epic task, but it’s no Tolkienesque battle against orcs and sorcerers; more of the battling is done with words than with swords or their moral equivalents. The hero’s quest affords Stephenson the opportunity to engage in some pleasing wordplay à la Riddley Walker, with talk of “late Praxic Age commercial bulshytt” and “Artificial Inanity systems still active in the Rampant Orphan Botnet Ecologies,” and the like, and to level barrel on barrel of scattershot against our own time: “In some families, it’s not entirely clear how people are related”; “Quasi-literate Saeculars went to stores and bought prefabricated letters, machine-printed on heavy stock with nice pictures, and sent them to each other as emotional gestures”; and much more.
Light on adventure, but a logophilic treat for those who like their alternate worlds big, parodic and ironic.Pub Date: Sept. 9, 2008
ISBN: 978-0-06-147409-5
Page Count: 928
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
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by Erin Morgenstern ‧ RELEASE DATE: Nov. 5, 2019
An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.
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A withdrawn graduate student embarks on an epic quest to restore balance to the world in this long-anticipated follow-up to The Night Circus (2011).
Zachary Ezra Rawlins is a typical millennial introvert; he likes video games, escapist reading, and drinking sidecars. But when he recognizes himself in the pages of a mysterious book from the university library, he's unnerved—and determined to uncover the truth. What begins as a journey for answers turns into something much bigger, and Zachary must decide whether to trust the handsome stranger he meets at a highflying literary fundraiser in New York or to retreat back to his thesis and forget the whole affair. In a high-wire feat of metatextual derring-do, Morgenstern weaves Zachary's adventure into a stunning array of linked fables, myths, and origin stories. There are pirates and weary travelers, painters who can see the future, lovers torn asunder, a menacing Owl King, and safe harbors for all the stories of the world, far below the Earth on the golden shores of a Starless Sea. Clocking in at more than 500 pages, the novel requires patience as Morgenstern puts all the pieces in place, but it is exquisitely pleasurable to watch the gears of this epic fantasy turn once they're set in motion. As in The Night Circus, Morgenstern is at her best when she imagines worlds and rooms and parties in vivid detail, right down to the ballroom stairs "festooned with lanterns and garlands of paper dipped in gold" or a cloak carved from ice with "ships and sailors and sea monsters...lost in the drifting snow." This novel is a love letter to readers as much as an invitation: Come and see how much magic is left in the world. Fans of Neil Gaiman and V.E. Schwab, Kelly Link and Susanna Clarke will want to heed the call.
An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.Pub Date: Nov. 5, 2019
ISBN: 978-0-385-54121-3
Page Count: 512
Publisher: Doubleday
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Ethan Hawke ‧ RELEASE DATE: Nov. 10, 2015
Just the thing for those who want their New Age nostrums wrapped in medieval kit.
If you don’t have a woeful countenance already, this knight’s tale will slap one on you right quick.
It’s 1483, and down in Cornwall, a knight is writing a farewell to his children against the possibility that he may fall in battle in a war against the Thane of Cawdor. Not the one whose title King Macbeth usurped 400 years earlier, it would seem—though, given the anachronistic nature of this book, anything’s possible. Take, for instance, a moment just a few pages in, when our seasoned and grown-up knight, settling into his yarn, recalls that the knight to whom he apprenticed as a young man began his tutelage with a nice cuppa. That’s all very well and good, except that tea was unknown in the Middle Ages; a stickler will tell you that it first turns up a century and a half after the events actor/novelist Hawke (Ash Wednesday, 2002, etc.) recounts. That’s either magical realism or sloppiness, both of which this latest effort abounds in. Take the nostrum that Good Sir Knight Senior imparts to Junior: “You are better than no one, and no one is better than you.” All very nicely egalitarian, that, but a bit out of step with the elaborate hierarchy of medieval equerry and nobility. And more: “The simple joys are the great ones. Pleasure is not complicated.” Tell it to Abelard and Heloise, oh Obi-Wan. Elsewhere Hawke merrily (and again anachronistically) stuffs in a well-known Buddhist tale, the punch line to which is, “I set that boy down hours ago, but I see you are still carrying him.” Ah, well. By all appearances, Hawke aspires to write a modern Siddhartha, but what we wind up with is more along the lines of watered-down Mitch Albom—and that’s a very weak cup of tea indeed.
Just the thing for those who want their New Age nostrums wrapped in medieval kit.Pub Date: Nov. 10, 2015
ISBN: 978-0-307-96233-1
Page Count: 144
Publisher: Knopf
Review Posted Online: Aug. 15, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Greg Ruth & Ethan Hawke ; illustrated by Greg Ruth
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by Ethan Hawke
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by Ethan Hawke & Greg Ruth illustrated by Greg Ruth
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