by Ned Bachus ‧ RELEASE DATE: Oct. 22, 2017
A valuable and thoughtful work from a professor at the end of his teaching career.
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An author recounts the lessons he learned as a community college professor in this education memoir.
Bachus (City of Brotherly Love, 2012) spent four decades as a gatekeeper of sorts, serving as a professor of English composition at the Community College of Philadelphia. “Though the door to college might swing wide open to let these students enter,” he writes, “once inside they run into a second door, English 101, which looks to them more like a great locked gate.” His students were not uniformly young, bright scholars interested in learning for learning’s sake. In addition to the typical teenagers one would expect to find in a first-year college classroom, they included single parents, ex-convicts, and senior citizens. In this diverse cauldron, Bachus sought to help students express themselves as thinkers and assert themselves as individuals. This task was not as consistently rewarding as it might sound: the book opens with the author accepting an early retirement package after breaking up a fight between two students in the hallway that left him with a bloodstain on his shirt. The memoir cuts back and forth between Bachus the teacher during fall 2011, as he worked his way through his final semester in failing health, and Bachus the writer during spring 2012, as he labored over a manuscript in a tiny cliffside cabin on the west coast of Ireland. Both from the trenches and from a great distance, the author ruminated upon his life as a teacher: why he started, why he stayed, and why he finally walked away. Bachus writes in the direct prose—sometimes elegant, always clear—one would expect from an English teacher. He is adept at simple yet effective metaphors, such as this one, describing the first class of his final semester: “Like dancers paired for a waltz, teachers and students worked closely for fifteen weeks until a new semester gave them different partners. The music was cued up. It was time to dance.” The two strands of the narrative are complementary, placing Bachus on various sides of the educational line. In the fall in Philadelphia, he is corralling students of disparate stations in life, attempting to assist and understand them as he guides them through a class that is simultaneously simple and demanding. In the spring, he is a fish out of water, relieved to be writing and yet somewhat purposeless, navigating the diverse community of artists at Cill Rialaig residency in County Kerry. As one might expect, he does a great deal of learning of his own in both places. At 345 pages, the book is perhaps longer than it needs to be. It succeeds most when it focuses on Bachus’ interpersonal interactions, however brief, such as those with his student Jim or his taxi driver Jack McCarthy. The author’s extracurricular biographical details, though occasionally illuminating, feel more like digressions from the volume’s topic. Even so, Bachus is a cleareyed and likable protagonist, and his hard-earned reflections on the way humans learn from one another are worth a read.
A valuable and thoughtful work from a professor at the end of his teaching career.Pub Date: Oct. 22, 2017
ISBN: N/A
Page Count: 345
Publisher: Wild River Consulting & Publishing, LLC
Review Posted Online: Sept. 1, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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