If this book isn’t quite a masterpiece, it’s certainly a treasure, and that’s more than enough.

THE SLEEPER AND THE SPINDLE

Is it fair to expect a masterpiece when Gaiman and Riddell work together? Probably.

The two men have collaborated on a number of books published in the U.K., to great success. The illustrations in Fortunately, the Milk are a marvel of draftsmanship, and Coraline and The Graveyard Book are considered classics. Other artists illustrated the books in the U.S., quite beautifully, but the British editions are objects of envy for many fans. This new collaboration is a spectacular art object. Almost every page is decorated with gold leaf. Even the page numbers have gold filigree. The story combines two fairy tales, and it contains two startling ideas. Snow White, after years in a sleeping spell, might not be affected by the enchantment placed on Sleeping Beauty. And, more important, after her adventures in the woods, Snow White might find sitting on a throne as dull as lying in a glass coffin. The villainess, unfortunately, distracts from those ideas. She’s just another sorceress in a fantasy book, one in a long line of evildoers who want youth and power—but this is a fairy tale, after all. The gorgeous, art nouveau–inspired black-and-white drawings, many of which seem to consciously echo such divergent talents as Arthur Rackham and Robert Lawson, however, are magnificent, and a few sentences describing sleepwalkers who speak in unison may haunt readers for years.

If this book isn’t quite a masterpiece, it’s certainly a treasure, and that’s more than enough. (Fairy tale. 11-18)

Pub Date: Sept. 22, 2015

ISBN: 978-0-06-239824-6

Page Count: 64

Publisher: Harper/HarperCollins

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre.

SHATTER ME

A dystopic thriller joins the crowded shelves but doesn't distinguish itself.

Juliette was torn from her home and thrown into an asylum by The Reestablishment, a militaristic regime in control since an environmental catastrophe left society in ruins. Juliette’s journal holds her tortured thoughts in an attempt to repress memories of the horrific act that landed her in a cell. Mysteriously, Juliette’s touch kills. After months of isolation, her captors suddenly give her a cellmate—Adam, a drop-dead gorgeous guy. Adam, it turns out, is immune to her deadly touch. Unfortunately, he’s a soldier under orders from Warner, a power-hungry 19-year-old. But Adam belongs to a resistance movement; he helps Juliette escape to their stronghold, where she finds that she’s not the only one with superhuman abilities. The ending falls flat as the plot devolves into comic-book territory. Fast-paced action scenes convey imminent danger vividly, but there’s little sense of a broader world here. Overreliance on metaphor to express Juliette’s jaw-dropping surprise wears thin: “My mouth is sitting on my kneecaps. My eyebrows are dangling from the ceiling.” For all of her independence and superpowers, Juliette never moves beyond her role as a pawn in someone else’s schemes.

Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre. (Science fiction. 12 & up)

Pub Date: Nov. 15, 2011

ISBN: 978-0-06-208548-1

Page Count: 352

Publisher: HarperTeen

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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