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HENRY STEELE COMMAGER

MIDCENTURY LIBERALISM AND THE HISTORY OF THE PRESENT

A revealing, engaged assessment of the life and work of a man who taught thousands and was read by millions. Henry Steele Commager (1902—98) was a classic 20th-century liberal—a robust champion of civil liberties, dissent, and intellectual freedom. He was also an influential historian, long associated with Columbia University, and the co-author, with Samuel Eliot Morison, of The Growth of the American Republic, one of the most influential history texts of all time. Jumonville (Florida State Univ.), a student of postwar New York intellectuals (Critical Crossings, not reviewed), is Commager’s sympathetic yet critical biographer. He captures his subject’s inexhaustible energy and many friendships and examines his involvement in countless battles to advance and maintain non-Communist, democratic institutions and practices when they were under attack from left and right. Above all, Jumonville brilliantly assesses Commager’s scholarship and writings and sets the historian in his intellectual and professional context. In fact, this is an extended reflection on both the achievements of an activist public intellectual who happened to be a historian and the tensions between activism and scholarship. Jumonville fails only in convincingly distinguishing between a scholar and an intellectual, as if one can’t be—indeed, one must be—both. Otherwise, this fluent and graceful book will be read with pleasure and benefit by everyone interested in, among many other matters, the history of historical ideas, the rise of American Studies in universities, Columbia University itself, major currents of political debates, and the lives and ways of professors. It will surely appeal to the thousands who were affected by this great teacher in the classroom and exposed to his ideas at the public lectern. This astute, balanced study is a model of intellectual biography, which also succeeds in portraying the full life of the man—no small achievement. (16 photos, not seen)

Pub Date: March 1, 1999

ISBN: 0-8078-2448-8

Page Count: 346

Publisher: Univ. of North Carolina

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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