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A FIERY PEACE IN A COLD WAR

BERNARD SCHRIEVER AND THE ULTIMATE WEAPON

Simply outstanding.

A Pulitzer Prize–winning author chronicles the Soviet-American arms race through the life story of the man who was indispensable to the creation of the intercontinental ballistic missile.

By 1951 Air Force legend Curtis LeMay’s Strategic Air Command had encircled the Soviet empire and served as the centerpiece of America’s military-defense strategy. Still, LeMay’s bomber strike force was already being undermined by innovations spurred by the post–World War II vision of General Hap Arnold, who looked to a then-obscure colonel, Bernard Schriever, to carry forward his vision of an Air Force more reliant on science and brains than on combat courage. Sheehan (After the War Was Over: Hanoi and Saigon, 1993, etc.) charts Schriever’s career from his Texas boyhood to his WWII service, where he specialized in maintenance and aeronautical engineering. Following the war and responding to Arnold’s call, Schriever punched the tickets necessary for a fast-rising officer, all the while developing his expertise in radar, rocketry and nuclear weaponry. Just as with his Pulitzer- and National Book Award–winning A Bright Shining Lie (1988), Sheehan uses the career of one man as a window into a larger, more complex story, in this case the Cold War arms race. The wide-ranging narrative covers the postwar Allied scramble to gather up German rocket scientists, Stalin’s A-bomb program, the pervasive espionage that helped speed up the Soviet push for parity, America’s Cold War politics and diplomacy and many intriguing profiles of scientists, politicians, contractors and military men who played critical roles in helping, or occasionally hindering, Schriever fight the bureaucratic battles necessary to develop the ICBM. With a reporter’s respect for fact, a historian’s care for context and a novelist’s attention to narrative flow, Sheehan transforms an otherwise arcane topic into a must-read for any citizen interested in how and why the country assembled a deadly arsenal designed to prevent another Pearl Harbor and make nuclear war unthinkable.

Simply outstanding.

Pub Date: Oct. 13, 2009

ISBN: 978-0-679-42284-6

Page Count: 560

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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THE WOMEN WHO MADE NEW YORK

An eclectic assortment of women make for an entertaining read.

An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.

In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.

An eclectic assortment of women make for an entertaining read.

Pub Date: Oct. 25, 2016

ISBN: 978-1-58005-653-3

Page Count: 304

Publisher: Seal Press

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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THE PIONEERS

THE HEROIC STORY OF THE SETTLERS WHO BROUGHT THE AMERICAN IDEAL WEST

Vintage McCullough and a book that students of American history will find captivating.

A lively history of the Ohio River region in the years between the Revolution and the Civil War.

McCullough (The American Spirit: Who We Are and What We Stand For, 2015, etc.) isn’t writing about the sodbusters and hardscrabblers of the Far West, the people whom the word “pioneers” evokes, but instead their predecessors of generations past who crossed the Appalachians and settled in the fertile country along and north of the Ohio River. Manasseh Cutler, one of his principal figures, “endowed with boundless intellectual curiosity,” anticipated the movement of his compatriots across the mountains well before the war had ended, advocating for the Northwest Ordinance to secure a region that, in McCullough’s words, “was designed to guarantee what would one day be known as the American way of life”—a place in which slavery was forbidden and public education and religious freedom would be emphasized. “Ohio fever” spread throughout a New England crippled, after the war, by economic depression, but Southerners also moved west, fomenting the conditions that would, at the end of McCullough’s vivid narrative, end in regional war three generations later. Characteristically, the author suggests major historical themes without ever arguing them as such. For example, he acknowledges the iniquities of the slave economy simply by contrasting the conditions along the Ohio between the backwaters of Kentucky and the sprightly city of Cincinnati, speaking through such figures as Charles Dickens. Indeed, his narrative abounds with well-recognized figures in American history—John Quincy Adams, Harriet Beecher Stowe, Johnny Appleseed—while highlighting lesser-known players. His account of Aaron Burr—who conspired to overthrow the government of Mexico (and, later, his own country) after killing Alexander Hamilton, recruiting confederates in the Ohio River country—is alone worth the price of admission. There are many other fine moments, as well, including a brief account of the generosity that one farmer in Marietta, Ohio, showed to his starving neighbors and another charting the fortunes of the early Whigs in opposing the “anti-intellectual attitude of the Andrew Jackson administration.”

Vintage McCullough and a book that students of American history will find captivating.

Pub Date: May 7, 2019

ISBN: 978-1-5011-6868-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Aug. 26, 2019

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