by Neil Young ‧ RELEASE DATE: Oct. 14, 2014
Both heartfelt and conflicted, Young’s passion for cars is tempered by his environmental conviction, a prescient reminder...
Young (Waging Heavy Peace, 2012) returns to reflect on the two defining love affairs of his life: cars and dogs.
The author’s interest in cars dates back to when he was a young boy riding around in his family’s 1948 Monarch Business Coupe with his dog Skippy tucked away in the car’s trunk. Perhaps the reason cars made such an impression on him is that the family moved around so often, developing a sense of itinerancy that fostered a love of being on the road. Young’s many road trips, however, allow him to retroactively calculate the emissions pumped into the atmosphere. This recurring diversion awkwardly interrupts the narrative, but Young feels obliged to include it due to his eco-conscious beliefs. It’s an interesting juxtaposition: the author’s love of cars against his awareness of the ecological damage caused by fossil fuel consumption. Nevertheless, Young reveals that his interest in cars was always about their aesthetic appeal, and it was not merely limited to the newest and most streamlined vehicles. The author admits that what really caught his eye were cars with an indescribable uniqueness, which often attracted him to “clunkers.” These cars spoke to Young, holding a romantic sway over him. Among his favorites was the black hearse that functioned as the Squires’ unofficial tour bus, as well as a 1957 Corvette he purchased to reward himself after his first taste of success with Buffalo Springfield. The plaintive and straightforward approach to Young’s remembrances evokes a kindly paternalism as he candidly recounts details of his experiences forging his musical ambition in Canadian clubs, the hippie scene in Los Angeles, his later solo career and the innumerable rides that took him there. Ultimately, Young issues a warning about our dependence on fossil fuels and the resultant threat of climate change while showcasing new and efficient alternative fuel systems.
Both heartfelt and conflicted, Young’s passion for cars is tempered by his environmental conviction, a prescient reminder that the Earth is more important than a hobby.Pub Date: Oct. 14, 2014
ISBN: 978-0399172083
Page Count: 384
Publisher: Blue Rider Press
Review Posted Online: Sept. 9, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Neil Young
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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